Captain Marvel continues Marvel’s excellent reinvigoration of space opera

As usual, I’m behind the conversation; over Avengers: Endgame‘s opening weekend, I went to see Captain Marvel. I had no particular interest in seeing it, but it was the end point of a leisurely walk along the White River and through downtown on a personal day. I don’t get particularly excited about Marvel movies anymore, and I have minimal familiarity with the Captain Marvel character. The trailers didn’t do anything for me, either. But this film was a surprising joy for me, and I’m glad I saw it.

There are many things to like about Captain Marvel. I like its refreshingly pure-hearted and good-willed protagonist as portrayed by Brie Larson. I like the introduction story here, less an origin (though it contains that, in flashbacks) and more a recognition of one’s true capability and the overturning of years of built-in cultural indoctrination. I liked the appearance of young(ish) agents Coulson and Fury. I liked the sci-fi story, and I liked the big twist, and I liked how it wasn’t just a big twist but actually helped with Carol Danvers’s character growth and full acceptance of her new, heroic, independent identity. I even liked how the potential display of how Fury lost his eye becomes a running gag and ultimately a solidly landed brick joke.

I especially liked that Captain Marvel leaned into being its own thing. Set in the nineties, with a hero character unfamiliar to the existing superhero community of Infinity War and with events that couldn’t have an obvious impact on the state of the world (because why wouldn’t we know about it already?), Captain Marvel seemed like it would be an exceedingly unnecessary and pointless film in a franchise already full of such unnecessary productions. But while Captain Marvel does actually have some nice connective tissue to the Avengers films and draws a direct path to Endgame, it largely succeeds because it focuses on big a good movie instead of another tangle in the web of the Marvel Cinematic Universe. Sure, the connections were there, but you could go into this fresh and enjoy a great superhero sci-fi story.

The sci-fi elements were especially fun, and I hope that this serves as a sign that Marvel will continue to incorporate more and more wild space opera into its films. We saw the faintest glimmer of what was to come in the original Thor, but Captain Marvel feels like a sibling of Guardians of the Galaxy or Thor: Ragnarok in being so wildly, ridiculously over-the-top in its depiction of galaxy-spanning empires and alien cultures. It also feels like a movie that has spiritual roots in the eighties or nineties, with the premise of an Earth-born human hero clandestinely becoming entangled in an intergalactic conflict echoing Flash Gordon or The Last Starfighter.

I hope that Marvel continues to release wild, wacky, cosmic epics. I’d love to see a sequel to Captain Marvel that details her adventures taking down the Kree empire. But I also hope that we can see some other, original, high-quality space opera films come out. It’s a rare treat, and the plots are often a little half-baked, but I love the colossal scale and alien settings, and when these things have the budget for a decent cinematic experience, it’s truly wonderful.

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