After a drawn-out journey to the border of Xadia over the first two seasons, the third season of The Dragon Prince sprints to its final destination and the culmination of the plot so far. If your concern was that the show was going too slow, I guess this addresses that. But the relatively breakneck pace packs way too much into these nine episodes. And while the fantasy genre is constantly in dialogue with itself, too much of the big story moments are reliant upon fantasy tropes. In one example, and I hope this avoids spoilers too much for anyone who hasn’t watched yet, an important and charismatic character from earlier episodes does not appear at all until a last-minute cavalry charge at the final battle that feels straight out of The Lord of the Rings. That final battle is all too brief, but this show has always been more concerned with adventure and interpersonal relationships than violent spectacle.
The series ends with a moment suggesting that there will be a continuation, either in a future season or the long-discussed video game. I would have ultimately preferred the slower pace of the earlier seasons, with the promise of a more fulfilling final climax in a fourth season.
Still, the animation is the best yet, the show remains hard-hitting with its complicated morality and depiction of dark themes, and the charming cast of characters continues to meet new allies and enemies of all sorts. This show offers some of the most imaginative fantasy out there, even while drawing deep from what has come before. And it remains as committed to exhibiting one of the most diverse fantasy settings ever. Yes, there are fantasy races and creatures, many depicted in new ways or entirely original to the show. Yet more significantly, the show portrays people of different human races and ethnicities, across a spectrum of gender and sexuality, and with a range of abilities. Disability is only an element of a character in this setting, not a hated impediment or a sign of weakness or villainy. And this season has a great homosexual relationship that is important to the plot for reasons other than the nature of the relationship. For the display of diversity in programming aimed primarily at kids and young adults, that’s just delightful.
It may have rushed its big climax, but The Dragon Prince isn’t out of ideas yet and remains a joy to watch. Now, maybe it will be free to go in some really weird directions…