My free time has been a bit scattershot in its uses, and I haven’t had quite as much of it lately as usual, so here’s another week with a meandering post. I’m still primarily reading Phenomena and still primarily playing Prey, but I didn’t engage with either much the past week. I watched more TV and movies in my downtime; that’s included making a good run through much of the first season of The Umbrella Academy, which I’d petered out on only a couple episodes in when it first released, and watching the adorable and funny Eurovision Song Contest: The Story of Fire Saga, although while I adored it, I think you have to have a baseline fondness of Will Ferrell’s typical comic characters and plots.
While my time with Prey was reduced this past week, with no play at all on any weeknights or most of the weekend, I still remain thoroughly engaged with it. I made it a point to load up my last save last night, just to make sure I didn’t lose track of what I was doing and how to play with so much distance from it, and even with a week of the game going untouched, it felt like I’d never left it at all. I meant to be in for 10 or 15 minutes and stayed in for a little over an hour. I only stopped as my usual bed time drew near because I’d reset the reactor of the space station and just watched two technopaths drop into the reactor room outside of my shielded control room and promptly hijack my arrangement of turrets. Foiled by my attempt to prepare! I’m eager to see how I’ll get out of this–whether I’ll be able to sneak away, or if it’ll have to turn into a resource-draining brawl.
I love how the gameplay in Prey evolved from a white-knuckle survival horror experience to a game of open-level experimentation, alternating between combat, stealth, exploration, and special abilities. It definitely owes a lot to games like Bioshock in structure, but it’s hard not to keep coming back to film; the game’s first few hours play out more like Alien, but by the later game, even while the difficulty and variety of challenges continue to ramp up, it’s more like Aliens–which was no walk in the park for its characters either, but definitely more of an action-adventure experience. But there are plenty of other sci-fi ideas packed in. Just as one example, its core wrangling with identity and memory, and the uncertainty about what is really happening, all feel rather Total Recall.
The video games, films, and literature pulled from are from a wide array of sources. It might be fun to revisit some of these references and influences when I’ve finished the game.
For now, I guess I have to figure out how to deal with those technopaths!