The Mandalorian Season 2 Finale

[Warning: plenty of spoilers for The Mandalorian.]

I really rather enjoyed the finale of the second season of The Mandalorian. It was action-packed, it had some great tense sequences in which I was really dreading what would happen and entirely unsure of how it could be resolved, and then the ending was so bittersweet and hopeful, delivering some quiet character development. I thought it was a good cap to the season and, for that matter, to the overall story arc of the first couple of seasons, even while being a clear signal that future content is on the horizon.

Of course future content is on the horizon. Ten Star Wars series and a couple movies planned for the near future? That’s too much Star Wars! I’m not even keeping up on the books, and I gave up a couple years back on even trying to track the ever-increasing glut of comics being released for the new canon. Mixed feelings as usual here about this development: (1) more Star Wars gives more opportunities for new creators to dabble in the universe, for new stories to hook new fans, and for plenty of different characters and settings and subgenres so that everyone can probably find something they’ll like; (2) more Star Wars means that it will soon be unmanageable for most people to get a good footing in the universe, especially as it’s leaned more into MCU-esque winks for hardcore fans, like including Maul in Solo or Ahsoka in The Mandalorian, which at some point will surely begin to alienate people not already obsessed; (3) more Star Wars means I’ll have plenty to read and watch in my preferred sci-fi/fantasy setting, which is great, but it’s not so great to have me so insularly focused on one massive franchise when so much great independent sci-fi and fantasy has been and continues to be published; (4) more Star Wars means more talented writers writing for an existing property instead of exploring their own ideas, while also meaning that Star Wars becomes less of a thing defined by George Lucas’s vision and more of a bland product produced by committee; and (5) more Star Wars means that a monolithic corporation within the ever-narrowing band of oligarchic entertainment companies is going to tighten its grip even further by giving plenty of people reason to only watch/read/play/listen to (and thus pay for) its particular intellectual property, IP that in this case it just went out and bought after the fact rather than having any role in creating (as though IP law wasn’t already so corrupted toward longstanding corporate interests).

But enough of that. I actually just wanted to yell about Luke and Boba Fett.

Boba’s interactions with the “real” Mandalorians in the finale were fascinating. It’s easy to see why he remained such an isolationist outsider throughout his life, as he faced bigotry as a clone and a refusal by purists to accept him as a member of Mandalorian culture. Bo-Katan’s hostility toward his use of Mandalorian armor, despite his rightful claim to it, is somewhat ironic given her own wariness toward the extremist sect that Din belongs to. It’s interesting to see a lot of different Mandalorians in this diaspora all finding ways to identify themselves as “real” Mandalorians in the wake of the loss of their homeland, often creating identities in opposition to other ideas about what a Mandalorian can be. All that aside, that post-credits scene was some sweet Boba- and Fennec-badassery, and I am intrigued to see what The Book of Boba Fett does to further develop these characters. There are certainly plenty of subjects to explore. Why did Fett want his armor back now, and why did he not reclaim it earlier? Why was it important to him to claim Jabba’s palace? Does he plan to start his own criminal empire, or a new bounty hunter’s guild? Does he plot to build a coalition to retake Mandalore and rise as its ruler? Or perhaps does he want to assemble a warrior society of his own, an outsider group that rejects the formalistic traditions of Mandalorian culture? And now that he’s more of a team player and working with others, does he make any attempt to reconcile with the “friends” and mentors he’s had in the past, like Bossk or Dengar? I’ve never been great at speculation, so who knows if the story even follows any of those leads, but I’ll be interested to see what they do. Boba’s still not my favorite character, but I like this take on an honor-bound, brutal warrior who seems to be doing a tightrope walk of reflecting on and honoring his father’s heritage while facing and accepting rejection from the culture his father was raised in.

Then there’s Luke. It’s incredible that they really brought Luke into the show as the Jedi to respond to Grogu’s call. It was also incredible fan service to finally show Luke at the height of his powers, easy dismantling a platoon of super-soldier droids after we’d seen a single one of these Dark Troopers nearly pummel Din to death. I haven’t particularly been interested in the Disney Gallery series for The Mandalorian, but I’d love to see some behind-the-scenes discussion of how they got Mark Hamill’s younger voice and likeness spot-on for his appearance. Obviously most of the time, he was silent and hooded, and it’s not hard to figure out that you’d have a stunt double in any sort of sequence like that, but we have some extended periods where Luke is interacting with the Mandalorian posse.

Will we see more of this younger Luke? Will we finally see him starting his own Jedi Academy? I’d love to get more of that story. It’ll be interesting to see where Grogu goes; I suspect that, like Ahsoka, the little guy will find a way to escape the upcoming Jedi Purge (just as he did the original, come to think of it). And, though this is somewhat surprising to me, I’m really eager to see not just what comes of the potential conflict between Din and Bo-Katan, but also what exactly Boba Fett is up to.

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