TCW Re-watch: Failings of the Jedi

Star Wars: The Clone Wars offered such a rich variety of stories that there are an endless array of lenses to approach the themes within the series, both those unique to it and those that elaborate on the subject matter of George Lucas’s six-film saga. I’ve gone into this re-watch with a few particular themes and contradictions on my mind, and the most current reviewed episode, “Mystery of a Thousand Moons” (1.18), touches on most of them.

Most interesting to me is the tension between the apparent necessity of the war in the moment in contrast to the audience’s foreknowledge that the Jedi’s mere entry into the war was the trap that doomed them. This narrative emerges clearly enough in the films with the end of Attack of the Clones, with Yoda’s admonition that “the shroud of the Dark Side has fallen.” Perhaps more subtly, that theme is present in the decision on the part of the Jedi and the Republic to assault a Separatist planet in the midst of heightened political tensions to rescue two Jedi and a Senator who had infiltrated that independent system to perform acts of political espionage, sabotage, and murder, and who were being punished under the laws of that system. While leaving the trio to execution would have been an unacceptable ending to audiences and would have seemed too merciless, and while viewers know that the Separatists were preparing their own attack on the Republic, interfering with the laws of another government via open invasion is a shockingly imperialistic act for a group of alleged peacekeepers. And, of course, that theme of loss merely through engagement sees fruition in the collapse of the Jedi and the Republic in Revenge of the Sith.

The Clone Wars readily acknowledges this burden. Yoda does a lot of wrangling with this moral crisis and imminent loss throughout the series. While that’s perhaps most emphasized in the final season’s episodes, the theme is present in moments with Yoda–and in merely observing what the war does to Jedi and clones alike–throughout the show. As Yoda says in “Lair of Grievous” (1.10), “To answer power with power, the Jedi way this is not. In this war, a danger there is of losing who we are.”

And this theme manifests in at least small ways in almost every episode. Returning to “Mystery of a Thousand Moons,” we see the Jedi once again putting innocents in harm’s way in an attempt to win a battle. In this case, Ahsoka, Padme, and several clone troopers are infected with a super-virus and almost die before Anakin and Obi-Wan can provide a cure. Padme’s a senator. Ahsoka is literally a child who is nonetheless invested with the powers of a military commander. And the clones have been manufactured to fight and–as Rex notes in the episode–to die, yet the Jedi were perfectly willing to enlist them and use them as though they lacked in personhood or choice (a damning decision no matter how many Jedi befriended them between battles).

Yet that super-virus is another example of the seeming necessity of the war. The recreation of the Blue Shadow Virus for biological war in “Mystery of a Thousand Moons” and in the virus’s eponymous episode (1.17) is a shocking atrocity, intended to quickly wipe out whole ecosystems on hundreds of planets. In the same arc, the Separatists have blockaded a planet with a force field that kills anyone who tries to leave orbit, seemingly with the intent of preventing the export of the one raw material that can be used to produce a cure to the virus. Similarly, in “Defenders of Peace” (1.14), the Separatists intend to test a weapon that wipes out all organic life in its blast radius but leaves droids behind–and their intended target is a village of pacifists. Messaging consistently reinforces a pro-war mentality, at least in the moment. “Defenders of Peace” and its companion “Jedi Crash” (1.13) have no room for pacifists; the ideology is portrayed as too naive to actually survive without outside intervention by occupying defenders. Certainly there are historical precedents where passive resistance or acquiescence have not halted or appeased a bloodthirsty oppressor. Yet, to complicate things further, the “Jedi Crash” arc is immediately followed by “Trespass” (1.15), which actually provides for a scenario in which peaceful diplomacy is the ideal solution in contrast to aggressive interventionism.

If nothing else, the show highlights how messy war and conflict are. Moral solutions are not always apparent. The Jedi, even early on in the show, frequently cross the line of acceptable behavior, but that line-crossing often achieves results. For specific examples, contrast “Cloak of Darkness” (1.9), in which Ahsoka brushes off Master Luminara Unduli’s warning that “terror is not a weapon the Jedi use” because her threat, which does (momentarily) convince an imprisoned Nute Gunray to cooperate, “wasn’t serious,” with Anakin’s threat in “Mystery of a Thousand Moons” to kill mad scientist Nuvo Vindi completely failing to produce results (and actually giving Vindi another opportunity to gloat).

Lastly, one little item of head canon that I’ve been toying with for a while is that some version of the Mandalorian Wars and the subsequent Jedi Civil War of Knights of the Old Republic actually happened, and that this resulted in a radical shift in Jedi dogma. We at least have confirmation of a Mandalorian-Jedi War, but it’s the latter war that’s more significant to me. Revan and Malak rushed off to join the Republic in defeating the Mandalorians, in opposition to the Jedi Order’s mandate to stay out of the war, but their experiences turned them to the Dark Side. Revan’s later redemption was the only thing that could stop Malak, and he went on to pursue a larger threat outside of the galaxy. Other Jedi who went to war did not necessarily fall to the Dark Side. The Jedi Exile, for instance, chose a life of nomadic wandering following her actions at the Battle of Malachor (a battle that has been partially introduced to the canon, as well). Her eventual return to the major events of the galaxy stopped another festering Sith threat, and it is implied that she and her disciples helped rebuild a decimated Jedi Order. (Light Side decisions and their resultant outcomes in video games were typically perceived to be closer to canon during the run of the EU, and even in this canon-reboot era, that assumption seems to me a valid starting point for discussing the state of the old EU lore.)

The implications of the first two games are cast to the wind to enable the direction of The Old Republic and its companion novels, like Star Wars: The Old Republic: Revan, which conveniently wiped Revan and the Jedi Exile off the board. I’m not so impressed by the idea of Jedi and Sith joining together to combat a larger threat; it happened surprisingly often in the old EU, it seems counter to the core messaging of Lucas’s films, and it seems like something that exists in Star Wars: The Old Republic largely as a justification for players to join the Sith faction without necessarily being pure evil. So let’s set aside the implications of everything post-KOTOR II.

With that division of the franchise in place, I rather like the idea that Revan, the Jedi Exile, and their followers would have forced a radical rethink in Jedi philosophy. Perhaps the Jedi, over time, would have felt that earlier official involvement by the Jedi Order in curbing the Mandalorian expansion would have stopped a lot of cruelty and death–and would have prevented the rise of the Sith Lords that followed. The Jedi Exile, in particular, would have been a model for a more interventionist Jedi Knight. This change in doctrinal thinking could have resulted in an over-correction that could have made the Jedi all too willing to hop into aggressive pursuit of peacekeeping operations. The reform spirit of the Jedi Exile would have faded into institutional tradition over the centuries, such that the shift in Jedi mindset would have only served as another pillar of dogmatic thought for later generations of Jedi leaders. Such a mindset would have primed them to hop straight into the Clone Wars, before cooler heads (mostly a more reflective Yoda) could prevail, and with the assumption that they were fully in the right. I think The Clone Wars and its depiction of the last years of the Jedi Order provide some ammo for that theory.

(By the way, in my full version of this head canon, which veers hard into amorphously formed fan fiction, Bultar Swan offers a lot of storytelling possibilities as a potential Jedi who quickly sees the entry of the Jedi into the business of war as detrimental. I tend to imagine her getting the hell out of the Order and the war shortly after Geonosis, after seeing just what it takes to kill and seeing the Jedi leadership all too willing to keep going down that path. But that’s getting way off topic for this post.)

I don’t plan on regularly discussing The Clone Wars over the course of this re-watch, but I do suspect that I’ll have an occasional update as this gradual viewing continues. I’ve only watched the show in full once before, and this new trip through has been quite enjoyable and thought-provoking.

Clone Wars Re-watch Go!

The official Star Wars site is leading a chronological re-watch of The Clone Wars, with new posts by the site’s Associate Editor, Kristin Baver, on Tuesdays and Thursdays. If that sort of thing sounds appealing to you, you can find the first episode recap/analysis here and a list of all the episodes here; the show and the film are available in their entirety on Netflix.

It’s still fairly early in the re-watch, and the pace of two episodes a week is not too demanding, so it’s still an easy time to get started. As of this writing, they’re just now through the film.

There are two improvements about this particular viewing schedule.

First, there’s a more consistent narrative, and it’s easier to see the war–and individual battles–evolving. The show seemed to take a while to settle into itself and didn’t get into long-form storytelling until later on, but part of that is attributable to the fact that episodes were aired out of chronology. With a streaming service like Netflix, the effort involved in hopping between episodes (and seasons, and the film itself) is minimal and the payoff, in having a richer narrative immediately with clearer character development, is big.

Second, this re-watch breaks the film into three acts. Watching the acts on their own, as complete episodes in and of themselves, makes the film just another arc in the series. Its lower stakes (compared to the saga films), meandering pacing, somewhat jarring cuts between acts, and shifting tonal dissonance is forgivable when it’s understood that each episode is doing its own thing. We don’t need to have a galaxy-shaking event every week for the television show; The Clone Wars was often at its best when showing clone troopers with their boots on the ground. And it feels natural to make these divisions–after all, the film was originally a few different episodes of the planned television series, spliced together into a single theatrical release at the request of George Lucas.

Also, treating the film as its constituent episodes rather than a single component separate from the series means that it flows rather well with the supporting stories that chronologically take place earlier. We see Anakin and Obi-Wan break the blockade of Christophsis, deal with loss and betrayal, encounter Ventress, and then meet Ahsoka just in time for a final battle before racing off to beat the Sith to recovering Jabba the Hutt’s child. I wouldn’t point to any part of the film as one of my favorites in the entire series–a lot of it was silly, the animation and character models and storytelling still having had a bit of growing to do. But the Anakin defying Jedi orders in “Cat and Mouse” and the Rex who was just shaken by a betrayal of one of his own in “Hidden Enemy” meeting Ahsoka for the first time and being changed by her even as they provide guidance is a pretty cool thing to see. Plus, the Battle of Teth sequence, with its electric-guitar-and-exotica soundtrack, misty purple forests, and vertical firefight, is a fantastic television experience, even if it’s a bit short and (relatively) quiet for a theatrical sci-fi war film’s centerpiece battle.

Another takeaway from the re-watch: I don’t recall registering just how brutally the war was depicted. Maybe it’s the structure of the re-watch, or maybe I’m just registering because I already know that I got attached to some of these clones. So many die, often in heroically pointless ways. So much of the Battle of Christophsis, for instance, is repeated Jedi over-extension, with the clones dying for Jedi heroics. It’s not remarked on so much yet, but it’s very visible. And while the droids are played for laughs, it’s hard not to read them as sentient, many with full and unique personalities. While Anakin and Ahsoka are quite willing to mow down hostile droids, they do show an endearing love and respect for allied droids, especially R2-D2; similarly, while they are both willing to accept battlefield losses (at least later on), both are fiercely loyal to and protective of Captain Rex.

Similarly, the failings of the Jedi Order are really apparent to me now in a way that they weren’t on my initial watch. While Anakin is unwilling to leave an infant Hutt to die, he thinks it’s a very bad idea to work with the Hutts. Of course he would! They enslaved him and his mother! And Jabba is a notorious criminal! The Jedi and the Republic are willing to throw away principle and get in bed with a slave-dealing criminal organization for a strategic advantage. The war has already skewed their thinking. And while Ahsoka might be old enough to be a Padawan, placing her in command of troops and in the midst of battle is a terrible idea! The use of child warriors is shockingly poor judgment. It’s hard not to see the Jedi as radical religious crusaders at that point. Ahsoka sees so much killing and dying, and while she handles it well, it’s just wrong for the Jedi to have put her in that situation.

One of the weirdest things for me on re-watch is knowing that The Clone Wars represented a sort of soft canon reset before the official Disney reboot. Dave Filoni always showed himself to be aware of the Expanded Universe, even when he changed it. There was more respect for the EU setting than George Lucas ever showed, at least. But still, it was jarring to see an over-complicated, cluttered Clone Wars added to even further with so many new central characters and events when there was supposed to have been so much already documented post-Attack of the Clones. Re-watching with knowledge that this series represents almost the entirety of the “official” version of the Clone Wars relieves a lot of confusion and some mild frustration that younger me had (I’ll admit that I’m also just a lot mellower and less worried about canon issues than I was as a teen).

There’s a new, minor thing that bothers me now though: there is a level of familiarity with the old Expanded Universe, and that causes a new bit of confusion when those stories don’t “exist” within the current canon. Anakin, Obi-Wan, and Ventress have a clear history together. They hint at it a lot in their sparring. At the very least, this would seem to incorporate the introduction of Ventress from Genndy Tartakovsky’s Clone Wars. This makes sense–prior to Filoni’s run, Tartakovsky’s show had been well-promoted, highly praised, and rather visible on Cartoon Network. In addition to introducing Ventress, the show introduced Grievous, and it also showed Anakin’s transition from Padawan to Knight! But we don’t have any canon versions of these happenings, and Tartakovsky’s series now has very little visibility to new audiences. I feel that, at some point, at least certain elements of Clone Wars should be retold in the new canon. We can iron out the continuity contradictions, dial back the hyper-stylized format, and develop certain plot points more, but introducing Grievous and Ventress, charting the early course of the war, and showing Anakin’s growth from Padawan to a Knight ready to train the next generation would be great material for new stories.

Finally, I am struck by how much the chronological re-watch clearly centers the show around Anakin, Ahsoka, and Rex. This is really Ahsoka’s story–she’s present almost from the very beginning, and what comes before in that story directly lays the groundwork for her entrance on the scene. Yes, I know the film came first, but it felt like a separate and detached experience. The show itself started with more of a scattered anthology approach. The impact is rather different when we get this focus on Ahsoka almost immediately, with just enough of Anakin and Rex to see where they are when they meet her. It’s a different experience than encountering the show for the first time with the one-off “Ambush” episode. (And I didn’t even watch the show episodically at first–I was very sporadic and really only got interested in the series after seeing the 1.15 episode “Trespass,” though I later went back and watched in order after picking up the DVDs.)

If it’s been a while since you’ve watched The Clone Wars, or if you’ve never watched chronologically before (or even never watched the show at all), now’s a great time to dive in.

Bultar Swan Watch

I’ve been following 365 Days of Star Wars Women, which is exactly what it says on the tin: daily posts about the women in Star Wars–and not just the heroes and villains, but the actors, writers, producers, and film crew as well. It’s a fun way to highlight women’s representation in front of and behind the camera in a franchise that still leans heavily male both ways. I bring this up now because Bultar Swan recently got a post! I’ve written about my fondness for the character before…and it’s not often that she gets much notice.

20171001_150537I’ve reviewed the Powers of the Jedi Sourcebook entry on Jedi Knight Bultar Swan once more. It’s not just that such a minor background character had a write-up, though that was enough to get my attention as a youngling. What’s stayed with me about her is that she was a Jedi who was so familiar with violence and yet made a point to avoid killing in combat. The Jedi are depicted as quite willing to kill, despite Yoda’s admonition that a Jedi “uses the Force for knowledge and defense, never for attack.” It’s veering on an uncomfortable reduction of Chinese martial arts that Swan is written as notable for a unique fighting style “that required her to maintain physical contact with her foes to judge their next moves,” but that fits into the character profile of one who focused on defense and disarming attacks to subdue, rather than disable or kill, an opponent. She knew there would probably come a point in time where she would have to kill an opponent, and while she apparently did not take pride in her mortality-free combat record, she was concerned with how she would react to the taking of a life. She first apprenticed under Micah Giett and then Plo Koon following her Master’s death; when Master Plo mentioned the possibility of her one day joining the Jedi Council, Swan said that she would not be anywhere near ready “until she had more experience with life and the Force,” including understanding how she would react to killing an opponent, before she could sit in judgment over any other Jedi. To me, all the above made Bultar Swan the model Jedi, much like Obi-Wan.

But that opinion must not have been very popular, as she remained virtually unused throughout the years of Legends storytelling following her initial appearance in Attack of the Clones, in which she was portrayed by Mimi Daraphet (Power of the Jedi was published in the same year as the film). The closest to starring role for Bultar Swan was the first arc of the Purge comics. Written by John Ostrander with art by Doug Wheatley, the first story followed a group of Jedi survivors of Order 66 who met in a secret conclave to discuss what to do next; one of the Order had actually betrayed the location of the conclave to the Empire, so that her fellow Jedi would be forced to fight against Vader and hopefully destroy him in a final battle. Swan and Tsui Choi are close to protagonists–to the extent that the protagonist isn’t Vader himself. Swan and Choi argue against seeking revenge against Vader. When they are forced into battle anyway, Swan attempts to stop one of her Jedi by giving in to the Dark Side, and she is killed by her fallen compatriot when he refuses to back down.

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For me, Purge represents a disappointing appearance for Bultar Swan. She has little agency over the story, and she is quickly transformed into a martyr, killed off. I recognize that a story like Purge doesn’t allow for a happy ending, and almost all the Jedi had to be killed off somehow, but aside from highlighting Swan’s embodiment of the Jedi Code, it doesn’t really do anything with her as a character. She’s a prop to show Vader killing some last, desperate Jedi.

Bultar Swan also has a very brief appearance in the 59th issue of Star Wars: Republic (also written by Ostrander, with art by Jan Duursema). Unfortunately, she just provides a few moments of exposition as a subordinate under Ki-Adi-Mundi.

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The 365 Days post references one other Bultar Swan appearance: Clone Wars Adventures Volume 7, in the story “Impregnable.” I’ve never read it, but it turns out that it’s fairly cheap and easy to find online. I’ve ordered a copy. That’ll probably result in a short follow-up to this post somewhere down the line. But given that it’s Clone Wars Adventures, a pulpy action series modeled after the Genndy Tartakovsky cartoons, I don’t expect anything close to a deep examination of the character.

Finally, Wookieepedia informs me that Swan also appeared in the children’s series Star Wars Adventures. I’m not particularly desperate to track that down for what seems to be a minor appearance in a children’s book.

Of course, all of the above representations of Bultar Swan, except for Attack of the Clones, are now non-canon, Legends. The character could be written in an entirely different way now, if she ever really appears at all. Her only new-canon appearance so far is in On the Front Lines by Daniel Wallace. Her character is presented as young, inexperienced, and surprised to see opponents willing to fight back instead of surrender before a lightsaber. There’s nothing that suggests that the original interpretation of the character is invalidated, but I do get the impression that Swan still has a lot more growing to do in this incarnation. It’s enough to know that she canonically survived the battle and was able to recount it, for now.

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What happens to Bultar Swan after she gets a taste of war? Does she soldier on, like a loyal Jedi? Does she recoil at the taking of life? Could she at first be accepting but later rethink the Jedi’s methods as the droids are recognized as increasingly sentient? Maybe she would stay loyal; maybe she would eventually become disillusioned and leave the Jedi Order, like Ahsoka, or stay to attempt to reform it from the inside. Could she have survived the Purge? And if not, how did she meet her end? She’s an excitingly blank slate of a character with just enough motivation and just enough dangling plot threads to remain compelling to me. I really hope that some day she sees more use.

Forces of Destiny, Round 4: Season 2

Forces of Destiny keeps growing on me, and I don’t know whether it’s simple exposure to the series or an actual improvement in overall quality. I liked most of the eight episodes that have comprised Season 2.

My favorites were “Unexpected Company,” “Bounty Hunted,” and “The Path Ahead.”

“Unexpected Company” has Ahsoka as a last-minute addition to Anakin’s escort assignment with Padme. Anakin’s initially frustrated that his alone-time with Padme was ruined, but Ahsoka helps them out in an unexpected starship battle, and she and Padme share a moment at the end of the episode. I think it’s implied that Ahsoka was able to deduce the relationship between Padme and Anakin because of the events of the episode, choosing to silently accept it with a knowing smile and some careful words.

“Bounty Hunted” provided the (potentially) canon explanation for how Leia got Boushh’s armor. The encounter with Boushh is a little silly and arbitrary, but I’m willing to accept coincidence when Maz seems to intuit this occurrence through the Force. Seeing Maz and Leia meet–and Maz and Chewie embrace!–definitely made the episode special, though. And I’ll take any explanation for how Leia got her armor over the EU account with rapey Prince Xizor.

Finally, “The Path Ahead” shows a moment in Yoda’s training of Luke. Yoda gives Luke some sage advice that sounds appropriately cryptic and mystical. At the conclusion of the lesson, Yoda remarks, “Trust what you see [through the Force], not what you think you see [through your senses].” When he says that there will be more training through tree-climbing pathways, Luke asks, “Are we trying to get somewhere?” And Yoda replies, “Always, yes, always.”

Most of the other episodes were fine–mildly adventurous, or humorous, or heart-warming, but not particularly remarkable vignettes.  The only episode I did not like was “Shuttle Shock,” starring Finn and Rose as they approach Canto Bight. It’s actually a fairly good character moment, but the bit of action squeezed into the segment feels like too much loaded into what was otherwise a relative moment of brief quiet in the film itself. I didn’t like the episode for the reason that I didn’t like many other Season 1 episodes–there’s the sense that everything is overstuffed with moments of action and suspense, as if the movies actually trimmed down on the heroes stumbling through one gun fight or narrow escape after another.

In the end, Forces of Destiny will probably never provide essential Star Wars moments, but it does seem that with each new batch of episodes, it gets closer to the promise of consistently joy-filled short stories.

Sith Eyes

Guys, I promise, I’ll get over this wave of Star Wars posts eventually. It’s just on my mind a lot right now.

And something I’ve been thinking about is the physical manifestation of the Dark Side. In Revenge of the Sith, when Anakin turns to the Dark Side, his eyes go bloodshot and yellow. His eyes are still stained like this when we see him partially exposed during his fight with Ahsoka in Rebels. When Luke redeems him and removes his helmet, Anakin’s eyes are soft and friendly again.

 

 

Other Dark Siders may have yellow eyes. Darth Maul and Savage Opress both have those tainted yellow eyes. Pong Krell’s eyes are…yellow-ish. And Palpatine’s eyes are the bright yellow of a predatory animal, when he’s not wearing the kindly face of the Chancellor.

 

 

But I don’t think we ever see Count Dooku with anything but those dark eyes of his. Snoke’s eyes are not yellow. Asajj Ventress is known for her ice-blue eyes. And Kylo Ren’s eyes have so far remained a dark color.

 

 

We could say that perhaps the yellow-red eyes are just visual metaphor, signifying corruption, and not meant to be literally present. However, Dark Disciple confirms that the yellow eyes are visibly present, at least to some. When Ventress finds Vos after his corruption under Dooku, she sees that “Vos’s eyes were no longer a warm, rich brown. They were a blood-rimmed shade of yellow” (185). When Ventress briefly gets Vos to calm, the “yellow hue faded from his eyes,” but that “awful yellow hue returned to his eyes” when her entreaties fail and he returns to his impassioned attack (189).

Interestingly, Ventress later finds Vos without the yellowed eyes but knows he is still corrupted because she still feels “the fury inside him now” (209). Vos eventually admits that he had remained loyal to the Dark Side, that Ventress was correct.

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I don’t know if there’s a canon answer as to what causes a Dark Sider’s eyes to yellow. Speculation on Reddit suggests that it is an intense connection to the Dark Side. If so, how would Palpatine not always have those eyes, with his intense Dark Side presence and constant evil hatred and malevolence? I suppose he could mask his face the same way he masked his presence from the Jedi (and this certainly would not be the first time that someone has suggested that Palpatine only revealed his true face after his encounter with Mace Windu, that he was not actually “disfigured” at all then).

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My personal feeling is that the yellow eyes represent a loss of control. A Dark Sider strives to control the Force, but some let the Dark Side ultimately control them. For Palpatine, the Dark Side is a tool. For Anakin, the Dark Side is desperation and anger and confusion and fear all being unloaded at once.

What does that mean for Kylo Ren, though? I see Kylo as perhaps the most unstable Dark Sider yet, prone to violent rages and tantrums. But he has constant conflict in him; maybe he has never fully given himself to the Dark Side.

Or maybe this is just an inconsistent element that changes with the story being told and the creative team telling that story.

I bet that there’s at least a partial canon answer floating around in the minds (and files) of the Lucasfilm Story Group. But we don’t have a full answer yet.

Forces of Destiny, Round 2

I watched the new set of Forces of Destiny episodes. I was more receptive to them this time. Maybe my expectations were reset after my initial disappointment; maybe they were better; maybe the included episodes resonated with me a little more. Or in other words, is it me, is it the show, or is it my relationship with the show that has changed?

I’m still not overly excited by it. I also recognize that this isn’t really a project for me, and I’m entirely okay with that. Not everyone will like everything.

I will say that one improvement (in my mind) is that the stories actually served more of a purpose than just pew-pew. Of the four new episodes, my two favorites were “The Starfighter Stunt,” which showed Padme and Ahsoka bonding (and Padme demonstrating her relatively unestablished piloting skills), and “Newest Recruit,” which saw Sabine’s old pal Ketsu finally make the decision to join the Rebellion. While I thought that “Teach You, I Will” veered towards a cheesy lesson because of the reduction of what probably should have been a considerable bit of development (martially and psychologically) into the short format of a single-scene micro-episode, it was still telling a story. It had a point. “Tracker Trouble,” though, appeared to exist only to insert yet more action into The Force Awakens.

Last time I talked about Forces of Destiny, I gave a specific call-out to IG-88. This time, let’s cheer this cute lil’ Chadra-Fan:

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Maybe it’s just because I’ve got “The Kloo Horn Cantina Caper” on my mind, but doesn’t that baby Chadra-Fan look like it could be a young Kabe? For reference:

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Not that every single Chadra-Fan in the galaxy has to be the same one. But a little Chadra-Fan, apparently parent-less, stowing away in a crate and stealing food? Sounds like that could be Kabe. How long does it take a Chadra-Fan to reach adulthood? Maybe a few years is long enough. I don’t know. Aimless speculation here. And I call the youngling a “baby,” but she can talk.

Also, somewhat relatedly, the outfit on the baby Chadra-Fan looks familiar, but I can’t quite place it. It’s sort of like Leia’s Cloud City attire, I guess. No, I’m pretty sure Leia has nothing to do with this.

Okay, so, if I have a bottom line to all the above, it’s that I enjoy the episodes enough, and they’re such a small time commitment, that I’ll probably keep watching. But I’m not really excited about them, they don’t do a lot for me, and they’re fairly easy to forget about.

“The Wrong Jedi,” and a bad trial, too

As I continue to set up this new blog and decide how I want to handle frequency of new posts, I’ve decided to post some older blog entries from my days as a solo attorney. My posts on my law firm site already got a little weird–I can become a little preoccupied with my personal interests, what can I say. Below is one of those older posts, slightly revised and adapted for this new site.


It took me a while to get into Star Wars: The Clone Wars, but once I did, I fell in love. It’s fast-paced, feels clearly inspired by the serials and films that also inspired George Lucas in creating the franchise, and is not afraid to experiment with genre-bending narrative arcs. If asked to name my favorite Star Wars characters, Ahsoka Tano, Cad Bane, and Hondo Ohnaka—characters introduced and defined by the show—would be near the top of that list. And the series manages to provide a corrective for the weaknesses of the prequel trilogy, providing substantial depth to Obi-Wan and Anakin, giving a greater role to Padme, and even redeeming Jar-Jar Binks (although to what extent is surely the sort of observation that varies wildly from viewer to viewer).

Clone Wars isn’t perfect, of course. And for every moment that provides greater context to an under-developed idea from the films, there is a sequence that strikes me, at least, as confusing or half-baked. In example, look to Episode 20 of The Clone Wars Season 5. (Not sure if it matters this far out, but spoilers follow.)

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This episode, “The Wrong Jedi,” wraps up the season, as well as the story arc of the bombing of the Jedi Temple and the framing of Ahsoka for that attack. Over the course of the episode, the Jedi Council exiles Ahsoka from the Order so that they will not be seen as protecting their own from punishment, Ahsoka is placed on trial by the Republic, and Anakin is able to track down the real traitor to the Jedi and the Republic before Ahsoka is found guilty. While Ahsoka is acquitted and her position within the Order is offered back to her, she decides to leave the Order behind.

This was a well-paced episode, and it ended the fifth season on a brooding and contemplative note. The action scenes are great—especially when Anakin and the Temple guards face off against Barriss Offee. The use of an external conflict to highlight the internal conflicts of Ahsoka and Anakin is well done. Some might disagree with the abrupt direction that the show took Barriss Offee, but that level of personal sudden betrayal serves to drive a schism between Ahsoka, Anakin, and the Order and showcases how powerfully the Dark Side can affect even those with the best of intentions (see also, Count Dooku, Pong Krell, and Anakin himself).

My problem, to the extent that there is a problem at all, is with the trial scene in the episode. Trial scenes are often only loose caricatures of the real thing. This makes sense; dramatic narrative and controlled pacing are more important than devoted accuracy in most courtroom scenes. But there is typically at least some degree of verisimilitude. ”The Wrong Jedi” lacks this and features a wildly bizarre trial.

Toward the start of the episode, Admiral Tarkin tells the Jedi Council that the Senate wants to have Ahsoka indicted for treason. The Senate apparently believes that an internal Jedi trial would seem biased, and asks that the Jedi Council expel Ahsoka from the Order so that she may be tried before a Republic military tribunal. The Council does as asked in the end, and Ahsoka is taken to trial…but it doesn’t really seem like a military tribunal.

Chancellor Palpatine presides over the trial, apparently acting as judge. Vice Chair Mas Amedda brings the trial into session by tapping his staff against the floor a few times. A few members of the Jedi Council sit as onlookers. Senator Padme Amidala serves as Ahsoka’s legal representative, for some reason. And Admiral Tarkin acts as a prosecutor. Apparently there is no special training for lawyers in the Star Wars Galaxy. The apparent jury is made up of Senators.

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Palpatine announces that Ahsoka has been charged with sedition against the Jedi Order and the Republic. This is somewhat interesting for a couple of reasons.

First, even assuming Tarkin’s narrative of events, charging Ahsoka with sedition against the Jedi Order is probably not too plausible. Treason is the attempt to overthrow the government of the state to which one owes allegiance; sedition is advocacy intended to incite imminent lawless action like treason (both definitions here based on the entries for “treason” and “sedition” in Black’s Law Dictionary, 9th edition). You could more generally say that treason is the betrayal of your own government, and sedition is attempting to get others to rebel against the government. The Jedi Order is not a government. I suppose the question becomes, is it part of the government? It is a religious and philosophical monastic order, but I don’t believe that it is actually part of the government. The Jedi certainly act on behalf of the Republic, and they are appointed Commanders and Generals within the Grand Army of the Republic, but I don’t think I’m aware of a source that clearly states the Jedi role within the government, although I’ve certainly seen plenty of essays assuming the Order’s role as a government agency (beyond merely individuals’ roles as government agents) to be fact. The pseudo-canon Revenge of the Sith novelization has evidence to suggest that the Jedi Order is a nongovernmental organization and that the Jedi are a governmental body. In Chapter 10, Yoda and Mace Windu discuss an amendment to the Security Act that would “nominally” place the Jedi under the control of the Supreme Chancellor–although Yoda insists that “the Jedi he cannot control. Moral, our authority has always been; much more than merely legal. Simply follow orders, Jedi do not!” A moment later, Yoda suggests that even if the Jedi were disbanded, “even without legal authority,” they would still be Jedi. Either way, that whole conversation takes place during the events of Episode III, and thus after the events of this episode of The Clone Wars, so however this amendment would have affected the Jedi’s role within the government would not be relevant in the timeline I am considering. Maybe a later source has more directly answered the question, but it’s certainly confusing to me.

Second, note that Tarkin suggested an indictment for treason, and at the trial Ahsoka has been charged with sedition. But these are separate charges. The U.S. government, for example, defines them differently, so this isn’t purely semantic. Treason is committed by someone who owes “allegiance to the United States” yet who nonetheless “levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere” (18 U.S.C. §2381). Seditious conspiracy is separately defined as when two or more persons in a jurisdiction subject to the United States “conspire to overthrow, put down, or to destroy by force the Government of the United States, or to levy war against them, or to oppose by force the authority thereof, or by force to prevent, hinder, or delay the execution of any law of the United States, or by force to seize, take, or possess any property of the United States contrary to the authority thereof” (18 USC §2384).

But we’ve just discussed the named charges so far.

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In his opening statements, Tarkin spells out the prosecution’s version of events and asks for the death penalty. So we know that a punishment for sedition in the Old Republic is the death penalty. In her own opening statement, Padme says that Ahsoka is being framed and tells the “members of the court” that they are “prosecuting the wrong Jedi.” Tarkin then launches into a rebuttal. At this point, the trial seems less like a trial and more like a debate. And then it devolves further. Suddenly, Ahsoka is the one responding to Tarkin. There is apparently no clear procedure to be followed at all; Old Republic litigants apparently just argued with each other until there was nothing more to say. There is no entry of evidence; no witnesses are brought forward (except for the Perry Mason-style surprise reveal of the real traitor, complete with confession, at the moment before a final judgment is handed down).

Near the end of the trial, Palpatine—the apparent judge—launches into his own speech to implicate Ahsoka as the guilty party. What role does this play in the trial?

Finally, the “members of the court” (who may or may not be Senators) reach a decision and send the verdict by datapad transmission to the Vice Chair, who passes it onto Palpatine. Somehow, even as Palpatine is announcing the verdict, Anakin is allowed to interrupt the proceedings to present new evidence.

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A system wherein most of a criminal trial is debate without evidence, there are no obviously honored procedural rules, and the judge delivers a speech to attempt to persuade jurors to accept his favored outcome before a verdict is entered seems to me like a very broken system indeed. It most certainly does not reflect democratic ideals about fair play and justice.

For that matter, how exactly is Ahsoka being tried? The episode simultaneously suggests that the Senate is indicting her, and that she will be tried by a military tribunal.

It might make sense for Ahsoka to be tried in a military court, since she is a member of the military as a commanding officer of clone troops. But if it is a military tribunal, why is Palpatine the judge (saying that he is the Supreme Commander of the military feels like a little bit of a cop-out), and why is the jury apparently composed of Senators? On the other hand, if it is not a military tribunal, why is Admiral Tarkin the prosecutor?

And what is the Senate doing indicting her? Is there no separate judicial branch of government? This question, at least, can be answered: Attack of the Clones specifically references a “Supreme Court,” which apparently held trials of Nute Gunray. Since having the legislature try criminal cases would basically defeat the separation of powers implied by a distinct judicial branch, and since such a process would seem to be rather inefficient, why then would the legislature be indicting someone for a crime, much less trying them?

And for that matter, why are there no lawyers?

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In short, the trial on display in “The Wrong Jedi” is a hodgepodge of dramatic scenery pulled from various legal systems and, probably more importantly, pop culture presentations of those legal systems. Within the confines of the in-universe Star Wars Galaxy, though, one must wonder how the Old Republic survived for as long as it did with such a broken, dysfunctional court system. We can hand-wave all of the seeming inconsistencies away by simply saying that the Star Wars legal system is rather alien to us, but we can’t remove the underlying justice issues that must bubble up within this alien system.

If you have an alternative take or additional insight, please let me know. It would be great if there is a canon explanation for the weirdness of the court system, but I would guess that the answer is that this is an underdeveloped plot device used to underscore the dramatic tension of Ahsoka’s predicament.