TCW 7.12 “Victory and Death”

So that’s how The Clone Wars ends. Somehow both self-reflective and frenetically powered by near-constant action and thrills until the closing moments. Tragic, yet with the faintest glimmer of hope (more because of what we know comes next than because of how it actually ends). A triumph in storytelling and animation, especially looking back over the show’s entire, convoluted history. And a work that compellingly deepens the themes and emotions expressed in Revenge of the Sith.

That was the first thing I did after finishing Episode 12 last night: another viewing of the final prequel film. Having in mind the events on Mandalore, and the scenes that we see just a little bit more of in the show, added fascinating new layers. While my opinions on every Star Wars film shift over time, I’ve generally been impressed with the tragedy of Revenge, but that is so much more amplified with the context of the concluding chapters of The Clone Wars. Now more than ever, Revenge becomes a story of missed opportunities, of small failings. Now more than ever, it’s a story in which the protagonist has been failed by everyone and everything he believes in, where the people who could keep him in the Light are pushed away from him.

I like the tiny things I can read into the movie now. Things I couldn’t read before because they weren’t there before, because they weren’t even a glimmer in Lucas’s eye when the movie was made. I like being able to read a moment’s hesitation on the part of Commander Cody before he orders the firing on Obi-Wan. I like when Palpatine says, “Every single Jedi, including your friend, Obi-Wan Kenobi, is now an enemy of the Republic,” and thinking about how he leaves out Ahsoka. Ahsoka, who has very recently seen Anakin. Ahsoka, who is no longer a Jedi. Ahsoka, who is supposed to talk to Anakin and give her perspective on the Council and help him feel understood when he feels pinned down and betrayed by their hypocrisy, but who never got the chance. I like to think that if Palpatine had mentioned Ahsoka in that moment, Anakin might not have gone along with it. He could let Anakin believe, or hope, that Ahsoka would be excepted and spared. And of course Palpatine directly activates Order 66 among Rex and Ahsoka’s own loyal troopers, anyway. And of course Ahsoka never gets that final chance to commiserate with Anakin, and when he can go looking for her again, she is presumed lost and he has become Darth Vader.

I think my preference would have been for a little more resolving action. A little more setting up how Rex and Ahsoka departed, how they split up, what they intended to do. Of course, we have the Ahsoka novel and Rebels to fill in many of those gaps. And they weren’t moments that the show needed to explore; they were outside its scope. It had reached its end, and while it connects so strongly with other stories later in the timeline, I appreciate from a storytelling perspective that it did not dawdle to wrap everything up with a neat bow, did not document every little twist of continuity to be regurgitated as a factoid by obsessive fans down the road. (By the way, that whole kerfuffle about how Clone Wars contradicted the flashbacks in Ahsoka? It’s not that big a deal at all, and different media can of course tell different stories about the same events–it’s kind of the nature of myth, after all–but I think one could just toss the divergences in the book in-universe up to recollections in dream, or flawed memory, and simply move on with one’s life, rather than sweat the trivia.)

I’m glad this season existed. The Clone Wars now feels complete, even while there are plenty of stories to tell about all that happened during those wars. (Moments referred to in the show but not shown, either because they were side references or from Legends. Stories with other characters not chronicled across the galaxy. And where is Echo in the end? What does he do after he’s rescued and joins up with the Bad Batch?)

With that chapter completed, and another viewing of Revenge of the Sith under my belt, I think it’s time to rewatch Rebels too (and finally see the final season of that, as well). I really love Filoni’s contributions to Star Wars!

TCW 7.1: “Bad Batch”

Maybe it’s that I just finished my rewatch of the first six seasons of The Clone Wars earlier this week, but watching “Bad Batch,” it felt like the show never left. For newcomers, this is a perfectly serviceable action episode in a beautiful sci-fi setting, leavened by many comedic moments. For fans of the show, it’s a great time to reunite with Commander Cody, Captain Rex, Jesse, and Kix toward the end of the Clone Wars, as they attempt to salvage a losing front of the war, even while Rex begins to suspect that Echo, who appeared to die in a blast during the breakout of Even Piell from the Citadel back in the third season, is still alive. And while the Bad Batch, clone super-commandos with mutations that give them unique gifts in combat, is new, their designation as Clone Force 99 is a nice throwback to the deformed clone trooper 99, who sacrificed his life supporting the active troops in the defense of Kamino. The clones we know acknowledge the appropriateness of the name, but for any new viewers, there’s nothing to make this seem like a lot of additional explanation is required.

I never watched the animatics, other than a brief clip or two here and there, for the “Bad Batch” arc, but I had read enough about them to understand Echo’s role in it. This didn’t ruin the excitement and hope cultivated by this episode. And without having actually seen an early, incomplete version of the episode, it all felt new to me. I don’t know how closely the finished version adhered to the earlier version, and it doesn’t really matter to me. All I can say is, damn, this episode looked good. It’s incredible how far this show has come–and I guess six years of time since the last season gives plenty of opportunity to bring the computer animation technology even further forward. The emotional range and nuance depicted in the clones, the variability of character models and appearances and animations, and the breathtaking environmental and lighting effects (resulting in some stunning battle sequences) make the rest of this season very promising. And it’s not just art and animation. The sound design is incredible–I specifically remarked on this to my wife as we watched. The sound of the blaster shots and their impact into droids was so sharp and clear.

I really had no problems with the episode. The Clone Wars is back, and it’s picking right up from its late-series peak!