Review: Children of the Jedi

Children of the Jedi (Star Wars: The Callista Trilogy, #1)Children of the Jedi by Barbara Hambly

My rating: 2 of 5 stars

From what I gather, people typically love or hate this book. In a book in which Luke falls in love after entering into a remote relationship conducted through computer chats with a dead person, I think it’s reasonable to expect that it would be polarizing. My own feelings about it did not reach either extreme, however.

There were things I liked. I liked this depiction of Leia as a strong statesman who has not fully pursued her latent Force abilities, and who is haunted by her witnessing of the destruction of Alderaan. I liked the treatment of the Death Star architect war criminals, and Leia’s complicated feelings on that subject. I liked the fleshing out of Elder Houses and some of Leia’s background in Alderaanian royalty (though I like what the new canon has done with this far more). I liked C-3PO’s role in the plot, and I liked that he wasn’t treated solely as comic relief or an afterthought; I find that I really like whenever someone finds something for Threepio to do in a story. I liked some of the weird science philosophy musings on the nature of sentience and the division between synthetic and organic intelligences, but I didn’t expect a Star Wars story to ask heavy questions about the nature of consciousness and what defines a person as distinct, or whether someone can be replicated in a move from organic to robotic (which the book cutely distills to a question of identity as to whether someone might be “another Corellian of the same name”). I similarly liked Hambly’s effort to wrangle with the limitations of the Force when it came to mechanicals. And I liked the new alien races and many of the new characters–I especially loved the nature-loving ex-stormtrooper Triv Pothman and the Force Ghost of former Jedi adventurer Callista.

There were also things I did not like. I did not like the pacing of the book, and the tone often felt very not-Star Wars, whatever that means exactly. It often was slow, reflective, and grounded. For a Star Wars story, I found these elements to be somewhat boring. Also, Luke is really wrung through over the course of the story; in an effort to limit his god-tier Force powers, the narrative breaks him down physically and mentally. He acts like a heroic Jedi throughout, though torn by his personal connections (in other words, he acts like Luke). But it is exhausting to read how exhausted he gets, how much pain he experiences. He is in perpetual excruciating pain and operating with pretty extreme sleep deprivation for much of the book. It’s a bit much, but I get that authors often struggled with how to use Jedi Master Luke. I similarly did not care for his relationship with Callista (and definitely prefer that Luke ends up with Mara, who is a more interesting partner for him). They fell in love too fast and with too little reason. How she is brought back to life is also rather morally questionable. And while R2-D2 gets to be useful, I really hate how he almost kills Han and Leia (even if he didn’t have control of himself at the time).

There are other things that I don’t feel strongly about. Han and Chewie were more support characters, but they were portrayed accurately. The battle moon that serves as the central threat of the novel is just a Death Star Lite, but at least it’s not another literal Death Star. The supporting threat of a cyborg augmentation that allows a Force-user to control droids seemed wildly bizarre to me. The Ismarens would have been more interesting villains if more time had been spent on them, although Roganda, calculating and bitter former concubine of Palpatine, felt at least like a unique sort of threat. There are a lot of tropes that don’t feel like they should be in a Star Wars story, like what amounts to a minor zombie threat, although I recognize that zombies (or something similar) have ended up in use in many Star Wars stories, so it’s hard for me to identify what exactly felt off about it. Mara Jade and Lando Calrissian have insignificant cameo appearances, and they’re not really out of character but they don’t really have the chance to act in character, either. Finally, the novel is necessarily dated by its release before the prequel trilogy, so a lot of the details about an enclave of Jedi children, and the apparently accepted presence of Jedi families, no longer make a lot of sense, even though I could accept the broad idea that Jedi would care for Force-strong younglings.

I liked the writing and the weirdness, even though I didn’t like how everything worked as a Star Wars story about the Big Three heroes of the original trilogy. I’d be interested in reading non-Star Wars works by Hambly. I don’t regret reading this book, and it’s definitely not the worst Star Wars book I’ve read. On the other hand, I wouldn’t join with those who love it in recommending it to others. It was, if nothing else, an interesting experience.

TCW 7.12 “Victory and Death”

So that’s how The Clone Wars ends. Somehow both self-reflective and frenetically powered by near-constant action and thrills until the closing moments. Tragic, yet with the faintest glimmer of hope (more because of what we know comes next than because of how it actually ends). A triumph in storytelling and animation, especially looking back over the show’s entire, convoluted history. And a work that compellingly deepens the themes and emotions expressed in Revenge of the Sith.

That was the first thing I did after finishing Episode 12 last night: another viewing of the final prequel film. Having in mind the events on Mandalore, and the scenes that we see just a little bit more of in the show, added fascinating new layers. While my opinions on every Star Wars film shift over time, I’ve generally been impressed with the tragedy of Revenge, but that is so much more amplified with the context of the concluding chapters of The Clone Wars. Now more than ever, Revenge becomes a story of missed opportunities, of small failings. Now more than ever, it’s a story in which the protagonist has been failed by everyone and everything he believes in, where the people who could keep him in the Light are pushed away from him.

I like the tiny things I can read into the movie now. Things I couldn’t read before because they weren’t there before, because they weren’t even a glimmer in Lucas’s eye when the movie was made. I like being able to read a moment’s hesitation on the part of Commander Cody before he orders the firing on Obi-Wan. I like when Palpatine says, “Every single Jedi, including your friend, Obi-Wan Kenobi, is now an enemy of the Republic,” and thinking about how he leaves out Ahsoka. Ahsoka, who has very recently seen Anakin. Ahsoka, who is no longer a Jedi. Ahsoka, who is supposed to talk to Anakin and give her perspective on the Council and help him feel understood when he feels pinned down and betrayed by their hypocrisy, but who never got the chance. I like to think that if Palpatine had mentioned Ahsoka in that moment, Anakin might not have gone along with it. He could let Anakin believe, or hope, that Ahsoka would be excepted and spared. And of course Palpatine directly activates Order 66 among Rex and Ahsoka’s own loyal troopers, anyway. And of course Ahsoka never gets that final chance to commiserate with Anakin, and when he can go looking for her again, she is presumed lost and he has become Darth Vader.

I think my preference would have been for a little more resolving action. A little more setting up how Rex and Ahsoka departed, how they split up, what they intended to do. Of course, we have the Ahsoka novel and Rebels to fill in many of those gaps. And they weren’t moments that the show needed to explore; they were outside its scope. It had reached its end, and while it connects so strongly with other stories later in the timeline, I appreciate from a storytelling perspective that it did not dawdle to wrap everything up with a neat bow, did not document every little twist of continuity to be regurgitated as a factoid by obsessive fans down the road. (By the way, that whole kerfuffle about how Clone Wars contradicted the flashbacks in Ahsoka? It’s not that big a deal at all, and different media can of course tell different stories about the same events–it’s kind of the nature of myth, after all–but I think one could just toss the divergences in the book in-universe up to recollections in dream, or flawed memory, and simply move on with one’s life, rather than sweat the trivia.)

I’m glad this season existed. The Clone Wars now feels complete, even while there are plenty of stories to tell about all that happened during those wars. (Moments referred to in the show but not shown, either because they were side references or from Legends. Stories with other characters not chronicled across the galaxy. And where is Echo in the end? What does he do after he’s rescued and joins up with the Bad Batch?)

With that chapter completed, and another viewing of Revenge of the Sith under my belt, I think it’s time to rewatch Rebels too (and finally see the final season of that, as well). I really love Filoni’s contributions to Star Wars!

TCW 7.10: “Phantom Apprentice”

This Siege of Mandalore arc is adding so much nuance to Revenge of the Sith, which is already an above-average Star Wars film.

I love how much Maul recognizes and has figured out Sidious’s vision–how close he was to figuring it all out in time, how much he realizes he was just a pawn in a grandmaster’s game, how he could have almost destabilized it all. When he is foiled, because Maul is always foiled, I could sort of feel for him. He knows what is coming and he’s going to fail to stop it.

I love the moment when Maul and Ahsoka have something approaching a parley, and how that moment feels like one of the critical shatterpoints (to use Mace Windu’s preferred term) of the entire saga. Someone on Twitter suggested the following quote from the Revenge of the Sith novelization as the epigraph for this arc, since these episodes have eschewed that Clone Wars tradition:

This story happened a long time ago in a galaxy far, far away. It is already over. Nothing can be done to change it.

I found myself thinking about that in relation to the episode. It fits so well, and it really pops in context of the Ahsoka/Maul confrontation. You can’t help but feel that if Ahsoka had sided with Maul, everything could have played out very differently. Maybe the Sith would have still ruled, maybe the galaxy would have descended into chaos…or maybe a weary and battered Jedi Order would have been able to rebuild the Republic (or something better) over time. I felt as though Ahsoka was facing options that could have completely reprogrammed the outcome of Revenge of the Sith–but of course, her fate and the fates of her friends are already set in stone. There was fantastic tension, not only for this story, but for the bigger story whose outcome we already know in full.

I love how Obi-Wan was really trying to reach out to Anakin. He knew the Jedi Council was wrong and felt awful for giving Anakin the assignment of spying on the Chancellor. That much was clear in Revenge of the Sith. But it’s heartbreaking that Obi-Wan tried to turn to Ahsoka, knowing she would understand how Anakin felt in facing the hypocrisy of the Council, hoping that she could get through to him–heartbreaking because we know she’ll never get that chance.

I love the beautiful, wild, jaw-dropping lightsaber battle between Ahsoka and Maul. The mo-capped choreography is incredible. The wide-ranging setpieces used to host the sprawling fight are impressive, as well. The final high-beam fight has a dangerous, acrobatic energy comparable to Anakin and Obi-Wan’s fight.

I even love the tacky episode title, living up to the spirit of the goofy serial names of the other films, nodding to The Phantom Menace of Sidious’s grand plot against the Republic and the Jedi, and (it would seem) ultimately referring to Anakin, who has been groomed to be Sidious’s new apprentice all this time, as Maul now knows.

I love so much about this beautiful, exhilarating, emotional episode. Only two more left, and then The Clone Wars will be complete!

TCW 7.9: “Old Friends Not Forgotten”

What a rousing start to the Siege of Mandalore arc! From the opening title sequence to the ending cliffhanger, this was another great episode of television–at 30 minutes, still short, compared to the 50-to-60-minute standard of bingeable dramas nowadays, but a little longer than the typical Clone Wars episode or comparable cartoon.

I’m sure every fan delighted in the use of the old Lucasfilm logo and classic film scores. There are also a number of great nods to earlier episodes of The Clone Wars, and to the larger franchise. A particularly great moment for me happens early on, when Anakin uses a faked surrender to secure the capture of a critical bridge–a plot point that echoes Obi-Wan’s delaying deception from the series’ introductory movie.

This episode also lets Ahsoka put Anakin and Obi-Wan to task when she’s reunited with them. She’s clearly learned from her experiences among non-Jedi, and the politicking and cultivated distance from the vulnerable now frustrate her. Obi-Wan continues to act like a model Jedi, but in distancing himself from Mandalore, in trying to respect Satine’s fervent defense of neutrality and pacifism, Obi-Wan presents as weak to his young friend, as worrying more about what the Council will think than what is right. And frankly, I think Obi-Wan’s concerns are justified, but I understand Ahsoka’s perspective, shaped by Anakin’s impulsive, action-oriented persona and further defined by her exposure to the galaxy’s citizens who struggle and suffer because of the Jedi’s neglect of their concerns.

When Obi-Wan and Anakin get called off near the end to rescue Palpatine, Ahsoka gets in a brutal jab at Kenobi. He’s not going to help the people of Coruscant, she says; instead, he’s going because the Chancellor needs help. Obi-Wan says that’s not fair, but Ahsoka retorts that she wasn’t trying to be fair. When this arc is over, I’ll be very interested to rewatch Revenge of the Sith, and I can’t help but think already about how this exchange must color Obi-Wan’s perspective throughout the events of the film. By the end of Revenge, he’s failed his best friend, the Jedi Order, the Republic…and this young self-exile, too. It’s a lot for him to carry.

Ahsoka and Anakin also had a touching farewell, points of which brought me near to tears. Is this truly the last moment they ever had together (until years after he becomes Vader)? While they ended on good terms, will Ahsoka regret choosing to be more distant? It’s very Jedi-like of her to be willing to let go of a friendship, but her attitude toward him, while grateful and respectful, could make him feel that he’s already lost her. It’s not Ahsoka’s problem, but it’s still likely to have had an impact.

If I had a criticism, it would be that the show expects us to understand the Maul situation better than is perhaps warranted. Even having recently finished a rewatch of the earlier seasons, enough weeks have passed with the steady drip of new episodes that I don’t have a crystal-clear recall of what happened at the end of Maul’s reign over Mandalore. And I had read the Dark Horse comic chronicling what happened to Maul after Sidious reclaimed him, but that’s been even farther in the past. While many of the people watching this new season are probably hardcore fans, I wouldn’t be surprised at all if there are a lot of new viewers, hopping on via access to Disney+. I can’t be the only one straining to recall details, and some might be scratching their heads in pure confusion. Of course, the show has always played rather light with exposition and connective tissue–think of Admiral Trench’s reappearances, or what exactly was going on with Mother Talzin, or even how exactly Maul came back the first time. But just because it’s a feature of the show to avoid clearly explaining developments between episodes or seasons doesn’t make it a good feature. While there was a lot happening, I was surprised that the creators couldn’t take time to provide even a couple of sentences of dialogue to explain just how Maul ended up back in control of Mandalore. Maybe we’ll get that later. Either way, the little bit of confusion this caused me doesn’t take much away from an otherwise great episode.

Reviews: Bloodline / Xenozoic

Bloodline (Star Wars)Bloodline by Claudia Gray

My rating: 3 of 5 stars

I like Claudia Gray’s Star Wars writing. I love Leia as a character. Gray’s Leia, Princess of Alderaan was a fantastic story about this beloved character by a writer I enjoy. Bloodline possesses these same traits, and yet I struggled with it. Partially, I’ve just found myself busier than usual for a while now. But I also found myself again and again making a choice to read other books or comics. It’s not that the writing’s worse here. And Gray did a fantastic job writing an older, wiser, wearier version of Leia (a version that was written and published before the Leia of Princess of Alderaan). That said, I guess I just found myself bored with it.

Bloodline follows Leia over two decades after the Battle of Endor. She’s a respected senior legislator, pragmatically trying to keep together the political faction of the Populists, who believe in decentralized government and who are in opposition to the Centrists, a party with a strong authoritarian streak. Government has ground to a standstill because the increasingly polarized parties refuse to cooperate, and there is no strong executive in government to create compromise or shepherd policy. The novel concerns itself with two major developments: the neutral planet of Ryloth, home to the Twi’leks, seeks aid from the Republic to uncover a rapidly growing and incredibly influential new criminal cartel while the Centrists advocate for the creation of a First Senator to bring order to the government and to force the legislature into actually producing results once more. Leia takes the initiative in investigating the crime cartel, even as she is nominated to be the Populist candidate for First Senator.

Over the course of the novel, Leia forms a bond with Ransolm Casterfo, a younger and more idealistic senator who initially comes off as villainous because of his love for collecting Imperial armor and his belief that Empire is the best form of government. We come to find that he is an honest, principled man who may believe in a strong central government but who still hated the abuse of authority as represented by figures like Darth Vader or the Emperor. And in the end, he finds himself in opposition to most of the other Centrists, some of whom are actually backing the crime cartel while others celebrate the Emperor and want a return to tyranny.

Leia also finds other allies among the younger generation, including a former racer turned senatorial aide and an overly eager starfighter jockey. They have their own subplots and interrelationships. (The racer has a particularly unexpected mystery that appears abruptly and quickly explains her career change late in the book.) These other characters are important because they represent the generation to follow Leia, but their importance is undercut by their lack of use in later stories. Meanwhile, Han only briefly appears, living his life as a manager of a racing team, and Luke and Ben are known to be off training but otherwise only appear in the story by reference.

This is Leia’s story. In some ways, it makes sense to table other key characters. It also allows for emotional vulnerability, as she is cut off from her traditional supports. However, the absence of Luke and Han feels big enough to be distracting at times. And while we see Leia forming the core of what will eventually become the Resistance, the new characters don’t ever really get wings to do their own thing; they’re caught in Leia’s gravity.

Ransolm Casterfo leaves the biggest impression, proving to be a strong foil and ally for Leia throughout the book. In Ransolm, Leia sees hope for restoring balance to the Republic. She sees the potential for compromise, for reaching across the aisle. Without getting into more specific spoilers, it is enough to say that that hope is crushed, leaving Leia with only the option of forming a covert Resistance in anticipation of the threat of imminent civil war to come. Ransolm is an interesting character, but his fascist cosplaying and admiration for an authoritarian government are never really adjusted or adequately challenged. Loving an empire so long as evil cultists don’t rule it doesn’t stop you from being a fascist. Yet after admonishing him repeatedly, largely from a place of pure emotion, Leia eventually just accepts that this is part of his identity. One could certainly chart real-world analogies in this book, and I’m not sure the implications of a character like Ransolm and Leia’s relationship to him are all that great.

Still, if I said that Ransolm was why I struggled with this book, I’d be lying. I was just not particularly engaged with the pace. It’s a lot more talking and reflecting than in a lot of Star Wars stories, but the ideas being discussed aren’t very deep. Star Wars always seems to struggle when it attempts to accurately portray politics, and I think that’s where the book falters a little bit as well. It’s trying to be too granular, lacking the usual bombast. Yes, there are big revelations. Yes, there’s a bombing, a duel, and at least two intense chase sequences. But that’s more par for the course for a contemporary political thriller, not the usual excess and swashbuckling adventure of a Star Wars story. At the end of the day, I just wasn’t as compelled by the story being told here. But there’s nothing really bad about the book, the ideas, or the depiction of the characters. I guess this one just wasn’t really for me!
XenozoicXenozoic by Mark Schultz

My rating: 5 of 5 stars

I’ve long loved just about anything with dinosaurs in it, but the pulp action, gorgeous art, environmental messages, and sense of history contained within Xenozoic makes it so much more than just a collection of fun stories about prehistoric beasts.

I vividly remember two Xenozoic stories from my childhood, which I encountered in the colored re-releases under the Cadillacs and Dinosaurs brand. Those two stories are “The Opportunists,” in which one of the two protagonists, scientist-ambassador Hannah Dundee of the Wassoon tribe, manages to turn the annoying pterosaur scavengers around the City in the Sea into an early threat detection system for mosasaur attacks, and “Last Link in the Chain,” in which the other protagonist, eco-warrior mechanic Jack Tenrec, becomes stranded in the wilderness on a return from patrolling for poachers and finds himself hunted by a ferociously determined theropod. (There’s a lot of wild and expansive lore in this series, and I trust that concepts like Wassoon, the City in the Sea, or the spiritual order of Old Blood Mechanics will quickly make sense if you start reading this comic.)

I’ve been itching to read the full series for years and never got around to it. It didn’t seem to be widely available, but I think I also dreaded the potential that my nostalgic fondness would be shattered by reality. I finally broke down and bought a collection of the black-and-white original Xenozoic Tales, and I was happily surprised to realize that it’s still great. Those two stories were still full of spirit, dynamic art, and excitement, and they weren’t even the best stories in the series, I’ve found. With age, and the context of the whole series, I more strongly appreciate the environmental and political themes underlying the series. I also like the wild mad-science pseudo-explanations for the resurgence of a variety of prehistoric life from multiple eras of Earth’s history in the wake of man’s near-extinction. Interestingly, for a series spanning the late eighties through the mid nineties, Schultz quickly hints that the characters are living in a world following environmental collapse from climate change, with a history of atmospheric deterioration and rising sea levels. From the beginning, much of the story is set in a flooded New York City.

A cool thing about Schultz is that he’s clearly willing to improve his work over time, rather than sticking to an established and familiar appearance. His art style grows and evolves over the series. Characters change, become more distinctive. The prehistoric creatures, dinosaurs especially, get updated over time to make them more in line with evolving understandings of what they looked like. In comparison to Jurassic Park, which largely started off on the edge of scientific perceptions of what dinosaurs were like in the flesh but then allowed the images to stagnate as science moved on, the continued (though gradual) evolution of the depiction of dinosaurs is thrilling (and also serves as a fun glimpse into the evolution of pop culture paleoart).

The only disappointment about this collection is that it ends. And I don’t just mean that in the sense that I want more. It ends in the middle of a major plot arc! There’s a lot of story still to be told! I sincerely hope that Mark Schultz eventually returns to this project. If you like dinosaurs, classic cars, pulp adventures, or comics, you really should check this out!

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TROS and the questions that were answered

I finally saw The Rise of Skywalker for the second, and presumably last, time in theaters with my wife. It was her first time. She wasn’t a big fan of it (for the record, her favorite of the sequel trilogy was The Last Jedi). I found that I still rather enjoyed it. I’d started to dread watching it again because I recognized so many weaknesses in the story, and I had read so many critical reactions that I found I agreed with. I felt there was no way that I’d be able to enjoy it as much as the first time, if at all. Thankfully, I was wrong on this count.

This very well could be the dumbest main Star Wars film, but it’s full of emotion, a resounding score, and amazing visuals. I wish the trilogy had ended on a stronger note, but it is what it is, and while the story has many flaws, there are a lot of interesting plot threads that can be expanded in future stories. There is a lot condensed into this movie, even as relatively long as it is, and there are plenty of additions to the characters and larger mythology that can be mined for years to come. No Star Wars film is perfect, and the original final chapter in the Star Wars saga, Return of the Jedi, sure had its share of problems. So yeah, TROS can be dumb, and I’ll still incorporate it into my larger appreciation for Star Wars over time (even as I simultaneously become more interested in considering Star Wars in three categories: George Lucas’s vision as told in the first six films and The Clone Wars; the parallel universe created through licensing under Lucas’s rule, which at times influenced his own design and story choices; and the new parallel universe that covers much of the same ground with new stories and claims to provide a “canon” continuation to the original saga under Disney).

I started a post that was attempting to address questions left from The Last Jedi that The Rise of Skywalker answered. Whether one likes the answers provided or not, TROS did at least feel like a response to its predecessor, even if it feels more connected to The Force Awakens. That attempted post was heavy with spoilers, though, and I felt like it would be good to have at least one more view before moving forward. After finally getting that second viewing, I feel ready to share this post, now that the movie’s been out for so long that anyone concerned with spoilers should have seen it already. If you haven’t seen the movie yet for some reason, please beware of the massive spoilers that will follow.

The questions I’m responding to are those I specifically discussed in a previous post before the release of Episode IX. Since I’d raised those questions in particular, it seemed worthwhile to see how TROS dealt with them.

1. What is the fate of Kylo Ren? Will he be redeemed? Killed? Imprisoned? Could you even safely imprison a powerful Force user? And what would redemption look like for such a monster if it doesn’t end in death?

Well, this is sort of the center of the plot of TROS. We learn that he is redeeemed and killed. I guess we don’t know what redemption without death could look like. Ben’s ending works well enough, and his final sacrifice to restore Rey to life is truly a selfless act that is at least on par with Anakin’s own final sacrifice for his son. I think it would have been more interesting to see a version of Ben who has to work to atone for his past actions in some way, but that’s a lot to ask for one already bloated last chapter.

I’ve resumed my rewatch of The Clone Wars with the approach of its new season, and I’ve realized my question about imprisoning a Force user has been answered quite thoroughly in the new canon. We had the Citadel specifically for imprisoning Jedi, and a battalion of clones successfully imprisoned Pong Krell. For that matter, Obi-Wan was successfully imprisoned in Attack of the Clones, and it was only a screwy staged execution and subsequent rescue mission that spared him. Ben seems to be on a unique level of power, but it seems theoretically possible to imprison any Force user.
2. What will Rey do with the legacy of the Jedi? Will she establish a new Jedi Order or something else? Will any of her compatriots be revealed to have Force powers as well?

One of my favorite things about TROS was that Finn was revealed to be Force-sensitive. I guess not everyone registered that on viewing, but it seemed quite evident to me, and I remember reacting excitedly to moments demonstrating his Force sensitivity. His conversation with Jannah did everything but explicitly say, “I feel the Force.” I also read that conversation as indicating Force-sensitivity in Jannah and some or all of her comrades. And on second viewing, I felt the movie may have been hinting at Force potential in Poe (especially given his apparently impossible abilities with hyperspace-skipping). This suggests to me that the broad awakening of Force abilities and inspiration of a new generation of Force users thanks to the actions of Luke and Rey that was suggested in The Last Jedi has been preserved and expanded upon. I think much like the Jedi Exile in KOTOR II, Rey seems to draw unaware Force users to her, awakening their powers as their bonds with each other are strengthened.

Rey has become a Jedi and embraced the legacy of the Jedi. We don’t know, though, if she will actually train others. Her legacy is still up in the air, maybe to be explored further in canon another day.
3. How will this trilogy’s romantic entanglements be resolved? There are quite a few implicit and explicit love triangles. Will Rey end up with Finn, or Kylo, or no one at all? How will Finn navigate his relationship with Rey and with Rose? And does Poe finally come out as gay?

Rey ends up with no one at all, but she seems the closest to romance with Ben, unfortunately. I think the kiss is ambiguous, but it’s certainly there. Of course, they kiss and then he dies, so on the one hand that frees her up again, but on the other hand that could be deeply traumatizing for her. It’s crucial to me that the kiss is between Rey and Ben, not Rey and Kylo–he’s happy and light and good, having cast off his Kylo Ren persona entirely and sacrificed a lot to get there. Still, Ben and Kylo are the same person. Ben never really died, just like Anakin never really died when he became Vader. They have their excuses and dramatic metaphors, but at the end of the day, they chose to do evil. And they continued to do evil at every opportunity. Sure, they found redemption in a loved one at the end, but that doesn’t erase everything they’d done.

Finn doesn’t navigate his relationships at all. (How could he explore a relationship with Rose when J.J. and Terrio barely allow her onscreen?) He’s given a new female companion he spends his time with, who just so happens to be a female black former stormtrooper. That seems a bit too neat, and while they don’t become romantically involved, it feels a little convenient that Finn is paired off with another woman and Poe is as well, as if to suggest that they have heterosexual options and thus need not end up with each other, while also clearing the deck for an uncomplicated Reylo climax. I’m uncomfortable with the racial, sexual, and gender politics in this decision. Jannah is a cool character but underused, and she largely appears in support of and alongside Finn. I don’t think that’s a particularly well-thought-through decision.

More frustratingly, Poe is bonded to Zorii Bliss. Poe didn’t need a new romance story. Poe didn’t even need a new background, for that matter! His subplot and backstory feel incredibly arbitrary, like J.J. and Terrio decided to insert answers to questions that were never asked because they felt Poe wasn’t interesting enough. The inclusion of his history as a spice runner feels like a desperate bid to make him even more like Han Solo–and on this second viewing, I was all too aware of the reactions from fans who were troubled by giving one of the few Latino actors in Star Wars a character with a background as a drug smuggler. On top of this, Poe already had a backstory that was deeply associated with the Resistance and with the inter-generational legacy of the Rebel Alliance in non-film media, so this felt out of left field.

But back to Poe and Zorii. I was really bothered by Poe’s recurring attempts to get a kiss from Zorii. Even though they never do kiss, it felt like an unnecessarily defensive, hetero-normative reaction to FinnPoe. No, folks, not only is he not interested in Finn, he’s actually had an ex-girlfriend he wants to get back together with this whole time. Frankly, Oscar Isaac seems so half-hearted in his efforts that I’ve convinced myself that Poe and Zorii are in fact both gay, and that this is an inside joke between them. They’re just two old friends who know he’d never kiss her even if he could. While this works as a head canon, it’s incredibly disappointing that the filmmakers went in this hetero-romantic direction at all, especially when the only explicitly queer moment in this film (in any Star Wars film, for that matter) involves two background characters briefly kissing in the celebratory crowd at the end.

4. Now that the Supreme Leader has been replaced and Hux finds himself following a man he despises, does he stay loyal to Kylo? Does he lead a coup?

Hahaha! He does not stay loyal to Kylo. He also doesn’t lead a coup. He becomes a spy for the Resistance out of spite, and he gets shot dead like a dog.

5. Who was Snoke? Where did he come from? How did he influence Ben into becoming Kylo? And where did the First Order come from, for that matter?

Snoke is a clone, apparently. A clone of what/whom? I don’t know. Sounds like the comic series The Rise of Kylo Ren is addressing Snoke’s influence on Kylo, but I don’t know when or if we’ll learn more about what Palpatine was really doing with Snoke. And it seems that we still have an incomplete idea of what the First Order was or where it came from, let alone the newly revealed Final Order. Although Palpatine’s weird Sith cult activities and hidden Imperial military might fit in rather nicely with elements of the Aftermath trilogy, there are still a lot of questions.

6. Does Kylo really hear from Anakin Skywalker? Does he suffer from some form of psychosis? Has Anakin become corrupted in the afterlife even after his redemption? Is there someone else impersonating Anakin? Why didn’t any Force ghost appear to Kylo to intervene?

Turns out it was all Palpatine. Why did no Force ghost intervene, though? That’s unclear to me. In many ways, TROS didn’t give a fuck about the mythology of this universe.

Example 1: All the Jedi apparently live on in Rey. They speak to her and give her power in her final battle. But George Lucas had previously established over six films and The Clone Wars that most people, including Jedi, merely become one with the Force on death. Only those who lived selflessly could freely preserve their identities in death, not for personal benefit but so that they could instruct and guide others. Prior to the sequel trilogy, the only ones who preserved their identities after death were Qui-Gon, Obi-Wan, Yoda, and Anakin, and while Anakin had a great sacrifice at the end, it’s always been something of a mystery as to how he achieved this feat. Qui-Gon didn’t even take his body into the Force. But now everyone’s back, for some reason.

Example 2: Before the sequel trilogy, Force ghosts seemed limited in their abilities. Obi-Wan could not help Luke in his fight against Vader, and he tells Luke as much. Obi-Wan often provides advice and information, but I don’t recall him actually acting on the physical world. The same with Yoda. The Clone Wars and Rebels provided interesting spirits and creatures that were specially in tune with the Force, but these were separate from the Force ghosts I’m talking about. The Last Jedi had Yoda striking the tree with lightning, but this was mystical and calling on a natural element; it’s not clear to me that that suggests he could have lifted an X-Wing or tossed a lightsaber. Luke has such a physical presence in TROS, and it becomes quite curious as to why Force ghosts wouldn’t more directly meddle in putting down evil.

Example 3: Anakin was supposed to restore balance to the Force, and while it was never certain what exactly that meant, it was generally agreed that he did do exactly that by the end of Return of the Jedi. And yet Palpatine wasn’t truly defeated, only deferred. I was more on board when we were dealing with a new awakening in the Force–Kylo rising in power within the Dark Side, and the Light answering with the rise of Rey. It feels like Anakin only inconvenienced the Dark Side for a few decades, in the end.

Example 4: The Sith had never before discovered the power to escape death. It was one of the ironies of Star Wars: if you’re selfish enough to do anything to survive death, you aren’t able to do so. We had Sith spirits in Legends, but even then they were typically bound to a particular physical element–perhaps a temple, a tomb, an amulet, or a weapon. They were not free. The Dark Side, at best, provided them an immortal prison. Now, it turns out that the Sith actually retain some form of immortality by inhabiting their successors. When a Sith disciple strikes down her master, she apparently inherits the spirits of all the previous Sith. This could be a cool thing–and it still bounds the Sith to one physical element–but it doesn’t sit easily with the existing mythology. Also, what is the trigger for this transfer? If Rey would be possessed whether she struck Palpatine down in a moment of anger or in ritual, why is there an exception if she gets Palpatine to destroy himself by deflecting his Force lightning back at him until he dies? How much was Palpatine lying about this? Perhaps he wanted her to kill him in the ritual tradition, and hate alone wouldn’t do it? But then again, wanting someone to strike him down in hate suggests that he would have actually been fine if Luke had killed him in Return of the Jedi, and that’s an interesting idea. Imagine that: Palpatine feels he’s in a win-win situation. No way the Rebellion can win, the Emperor thinks. That leaves three scenarios: (1) Luke is killed, and Vader has nothing left to cling to; (2) Luke kills Vader and turns to the Dark Side, thus becoming Palpatine’s student; or (3) Luke kills Palpatine and is possessed by all Sith, becoming a powerful, young new host body. Luke’s decision to stop fighting, and Vader’s decision to aid his son and defeat Palpatine, are unfathomably remote options for the Emperor. And it turns out he had contingency plans for if everything went wrong, anyway.

At the end of the day, while I find these new bits of lore difficult to reconcile, they are interesting. This is a movie that concludes a whole trilogy about legacy. Appropriately, some of the key new insights into the Force and Force practitioners relate to legacy. The Jedi are able to commune with those who precede them. The Sith literally embody previous Sith, spiritually consuming them. All Sith live within one body, the closest they can come to immortality, I guess. No wonder there can only be two Sith at any one time–and no wonder that the Sith are unique for Dark Siders.

Finally, while not playing light with the mythology, I have way too many questions left about how Palpatine came back. I have only read the first arc of Dark Empire, and that Legends comic seems more relevant than ever now. Certainly, Aftermath also hints at some of the Dark Side occult elements involved in resurrecting the dead. It’s not at all clear to me if this is somehow a reconstructed original body of Palpatine (and this seems unlikely, given how he died) or if it’s a greatly corrupted clone body. How will destroying this Palpatine prevent him from coming back? Are we really sure all Sith cultists were killed in that end battle? What about the Snoke clones in the canisters that were missing by the time Rey arrived? What connection does Snoke have to Palpatine? A lot of questions to presumably be answered some other day.

7. Who are the Knights of Ren?

Kylo Ren’s boy band. “Ghouls.” That’s all. Disney wants us to make sure to read all the ancillary materials, I guess. Star Wars has always seemed larger and deeper because of the references to things that aren’t developed within the movies, but this seems a big thing to leave so blank, especially when they serve as (nameless, faceless) tertiary antagonists in the film.

8. Were there any other survivors of the destruction of Luke’s training temple?

I guess we still don’t know.

9. How is the Resistance rebuilt? What allies join the cause, and why didn’t they respond to Leia’s message?

Again: I guess we still don’t know. Lando assembles a People Power fleet. Maybe people were motivated by the story of Luke’s sacrifice and the survival of the Resistance. Maybe Leia’s message did get through but people couldn’t react in time. The film starts about a year after The Last Jedi, but the Resistance is still more or less in shambles until Lando brings in the cavalry.

10. What happens to Leia? How does she fit into the movie? It seems likely that she was intended to have a significant role, but how much can she really appear in the film with the untimely death of Carrie Fisher?

She appears almost enough for the plot that was ultimately provided for her character. She proves pivotal to the final reformation of Ben Solo. On second viewing, it’s more apparent how little she appears and how much the movie is molded around what available footage they had of Carrie Fisher. Harrison Ford comes back as a vivid hallucination/memory to provide the final push, and I wonder if they would have used Leia in that scene if Carrie had been available. Another bizarre mystery of the Force: why does her body remain until Ben also dies? For that matter, the Leia material offers another example of J.J.’s apparent disregard for the new unified canon: it’s hard for me to reconcile Leia’s training under Luke so soon after Return of the Jedi with her portrayal as someone who had never undergone Jedi training in Bloodline. For the record, I was fine with her display of Force abilities in The Last Jedi because training isn’t essential to use the Force. But having her training basically completed, and then giving up her saber and the Jedi path, doesn’t quite fit with what is suggested in Bloodline. (For that matter, how does she know Rey is a Palpatine? When does she learn this? When did Luke learn this? And if she knew some of Ben’s tragic fate, why did she make the choices she did in allowing him to train as a Jedi?) That said, it’s not explicitly contradictory, either…


As a bonus round, I’d just point out that Lando appeared as sort of a retired trader / elder statesman, but the subject of L3-37 and her final fate is left unresolved. Bummer.


So, those were the questions I had going into The Rise of Skywalker, and those were the answers I took away from it. They weren’t always the answers I wanted to see, some of the answers seemed like very poor options out of the many available choices, and sometimes there wasn’t an answer at all, but it’s still clear that TROS continues on from The Last Jedi, continuing to develop themes and character arcs from that film even while making some course corrections to apparently better align with J.J.’s original vision. It’s very Star Wars of the saga to end with answers that often prompted even more questions!

Leia: Princess of Alderaan

Leia: Princess of Alderaan (Journey to Star Wars: The Last Jedi, #3)Leia: Princess of Alderaan by Claudia Gray

My rating: 5 of 5 stars

I continue to greatly enjoy Claudia Gray’s contributions to the new Star Wars continuity. Leia: Princess of Alderaan is no exception. L:POA is a YA novel like Lost Stars, and there are certainly similarities between the two, including a story about young love set against an intergalactice stage and starring characters (in this case, Leia and her first crush Kier) who understand each other so well yet ultimately find themselves divided by opposing viewpoints. There are even parallel events between the novels; the Imperial ball Leia attends toward the end of L:POA is likely a predecessor of the ball depicted in LS, suggesting an annually recurring event (the timeline of the novels and her rank of apprentice legislator in L:POA versus junior senator in LS are sufficient for me to treat them as separate events), and I’ll never forget the Moa or its crew so was pleased to see a brief cameo in L:POA as well.

Gray’s novels have some appropriately Star Wars-ian big action sequences, but the best moments are quieter scenes spent in characters’ heads, or in high society setpieces with plenty of melodrama, like a dinner party or ball. There’s plenty of all the above in L:POA. As usual, Gray seems to perfectly convey the voices of established characters like Leia, Mon Mothma, and Bail Organa–all the more impressive here since Leia is not nearly so tough or jaded at this point in her life, and Bail is unusually anxious and emotionally overwhelmed as he deals with the reality that he can’t keep Leia safe or separate from his growing rebellion, such that we see the characters dealing with things differently than they would in the films, and know that they are at different points in their lives, but we still see elements of their personalities that we know well. It doesn’t feel out of character; the differences reflect living personalities that can and will change over time. Gray seems to have a lot of fun with Tarkin in particular, and his cold, calculating evil is a heavy influence in L:POA just as it was in the first part of LS. I also liked the many new characters that are introduced, including all the members of Leia’s pathfinding group. Though not a truly new character, Queen Breha Organa is given a wholly developed, distinctive personality, and we finally see how much Leia inherited not just from her adoptive father but her adoptive mother as well.

Much was made out of Leia’s one-off use of the line, “Strength through joy,” preserved in my first edition copy of the book though apparently changed in later editions. I’ll confess that I would have remained ignorant of the Nazi association if not for the resultant backlash within fandom. Gray was right to apologize for the oversight, I understand why people were upset, and it’s good that this was updated later. But I firmly believe that this was just a simple oversight, because Gray’s books, including L:POA, are full of sympathetic, engaging, and diverse characters, and the fascist rule of the Galactic Empire is clearly portrayed as evil in and of itself, even without the cackling villainy of Palpatine and his immediate underlings. L:POA is a novel about resisting fascism, tyranny, and oppression, about finding ways to combat a bad system from the inside, and about learning when it becomes necessary to force change from the outside, even if the mechanism of that force is violent. It was also clear exactly what the Organas and the other Rebels are fighting for in this book: freedom, equality, planetary sovereignty, and an end to cronyism and blatant governmental corruption. Leia goes on mercy missions, delivering food and medicine to worlds impacted by the actions of the Empire. And the Empire’s actions aren’t just planet-destroying or abstract; we see actual examples of unjust policies, and how those policies could be supported by those who benefit from the Empire. Leia at one point observes slavers and, though heartbroken, insists on bearing witness and doing what she can on Alderaan to ensure that any slaves passed through that system will be freed. Where a lot of Star Wars, especially in the movies, does a poor job of presenting just what was good about the Old or New Republic and just what the Rebels were fighting for, Claudia Gray makes the portrayal of that purpose and positivity a primary goal, especially in contrast to the banal evil of the Imperial bureaucracy. (As an aside, I think that Gray sees the Rebellion as cohering not necessarily over an agreement about what an Imperial replacement should be or even over basic moral principles, so much as a desire to return sovereignty to individual planetary governments. I think that’s an interesting and complicated perspective, one that seems rather real and plausible, and it also does a good job of explaining why the eventually unified Rebel Alliance of the films doesn’t have much of a clearly conveyed vision other than resistance to the Empire and, presumably, restoration of the Republic.)

If you’d asked me five years ago where to get into Star Wars books, my safe answer would have been Zahn’s EU Thrawn trilogy. Now, my enthusiastic answer is anything by Claudia Gray, and Leia: Princess of Alderaan only reinforces that opinion.

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