TROS and the questions that were answered

I finally saw The Rise of Skywalker for the second, and presumably last, time in theaters with my wife. It was her first time. She wasn’t a big fan of it (for the record, her favorite of the sequel trilogy was The Last Jedi). I found that I still rather enjoyed it. I’d started to dread watching it again because I recognized so many weaknesses in the story, and I had read so many critical reactions that I found I agreed with. I felt there was no way that I’d be able to enjoy it as much as the first time, if at all. Thankfully, I was wrong on this count.

This very well could be the dumbest main Star Wars film, but it’s full of emotion, a resounding score, and amazing visuals. I wish the trilogy had ended on a stronger note, but it is what it is, and while the story has many flaws, there are a lot of interesting plot threads that can be expanded in future stories. There is a lot condensed into this movie, even as relatively long as it is, and there are plenty of additions to the characters and larger mythology that can be mined for years to come. No Star Wars film is perfect, and the original final chapter in the Star Wars saga, Return of the Jedi, sure had its share of problems. So yeah, TROS can be dumb, and I’ll still incorporate it into my larger appreciation for Star Wars over time (even as I simultaneously become more interested in considering Star Wars in three categories: George Lucas’s vision as told in the first six films and The Clone Wars; the parallel universe created through licensing under Lucas’s rule, which at times influenced his own design and story choices; and the new parallel universe that covers much of the same ground with new stories and claims to provide a “canon” continuation to the original saga under Disney).

I started a post that was attempting to address questions left from The Last Jedi that The Rise of Skywalker answered. Whether one likes the answers provided or not, TROS did at least feel like a response to its predecessor, even if it feels more connected to The Force Awakens. That attempted post was heavy with spoilers, though, and I felt like it would be good to have at least one more view before moving forward. After finally getting that second viewing, I feel ready to share this post, now that the movie’s been out for so long that anyone concerned with spoilers should have seen it already. If you haven’t seen the movie yet for some reason, please beware of the massive spoilers that will follow.

The questions I’m responding to are those I specifically discussed in a previous post before the release of Episode IX. Since I’d raised those questions in particular, it seemed worthwhile to see how TROS dealt with them.

1. What is the fate of Kylo Ren? Will he be redeemed? Killed? Imprisoned? Could you even safely imprison a powerful Force user? And what would redemption look like for such a monster if it doesn’t end in death?

Well, this is sort of the center of the plot of TROS. We learn that he is redeeemed and killed. I guess we don’t know what redemption without death could look like. Ben’s ending works well enough, and his final sacrifice to restore Rey to life is truly a selfless act that is at least on par with Anakin’s own final sacrifice for his son. I think it would have been more interesting to see a version of Ben who has to work to atone for his past actions in some way, but that’s a lot to ask for one already bloated last chapter.

I’ve resumed my rewatch of The Clone Wars with the approach of its new season, and I’ve realized my question about imprisoning a Force user has been answered quite thoroughly in the new canon. We had the Citadel specifically for imprisoning Jedi, and a battalion of clones successfully imprisoned Pong Krell. For that matter, Obi-Wan was successfully imprisoned in Attack of the Clones, and it was only a screwy staged execution and subsequent rescue mission that spared him. Ben seems to be on a unique level of power, but it seems theoretically possible to imprison any Force user.
2. What will Rey do with the legacy of the Jedi? Will she establish a new Jedi Order or something else? Will any of her compatriots be revealed to have Force powers as well?

One of my favorite things about TROS was that Finn was revealed to be Force-sensitive. I guess not everyone registered that on viewing, but it seemed quite evident to me, and I remember reacting excitedly to moments demonstrating his Force sensitivity. His conversation with Jannah did everything but explicitly say, “I feel the Force.” I also read that conversation as indicating Force-sensitivity in Jannah and some or all of her comrades. And on second viewing, I felt the movie may have been hinting at Force potential in Poe (especially given his apparently impossible abilities with hyperspace-skipping). This suggests to me that the broad awakening of Force abilities and inspiration of a new generation of Force users thanks to the actions of Luke and Rey that was suggested in The Last Jedi has been preserved and expanded upon. I think much like the Jedi Exile in KOTOR II, Rey seems to draw unaware Force users to her, awakening their powers as their bonds with each other are strengthened.

Rey has become a Jedi and embraced the legacy of the Jedi. We don’t know, though, if she will actually train others. Her legacy is still up in the air, maybe to be explored further in canon another day.
3. How will this trilogy’s romantic entanglements be resolved? There are quite a few implicit and explicit love triangles. Will Rey end up with Finn, or Kylo, or no one at all? How will Finn navigate his relationship with Rey and with Rose? And does Poe finally come out as gay?

Rey ends up with no one at all, but she seems the closest to romance with Ben, unfortunately. I think the kiss is ambiguous, but it’s certainly there. Of course, they kiss and then he dies, so on the one hand that frees her up again, but on the other hand that could be deeply traumatizing for her. It’s crucial to me that the kiss is between Rey and Ben, not Rey and Kylo–he’s happy and light and good, having cast off his Kylo Ren persona entirely and sacrificed a lot to get there. Still, Ben and Kylo are the same person. Ben never really died, just like Anakin never really died when he became Vader. They have their excuses and dramatic metaphors, but at the end of the day, they chose to do evil. And they continued to do evil at every opportunity. Sure, they found redemption in a loved one at the end, but that doesn’t erase everything they’d done.

Finn doesn’t navigate his relationships at all. (How could he explore a relationship with Rose when J.J. and Terrio barely allow her onscreen?) He’s given a new female companion he spends his time with, who just so happens to be a female black former stormtrooper. That seems a bit too neat, and while they don’t become romantically involved, it feels a little convenient that Finn is paired off with another woman and Poe is as well, as if to suggest that they have heterosexual options and thus need not end up with each other, while also clearing the deck for an uncomplicated Reylo climax. I’m uncomfortable with the racial, sexual, and gender politics in this decision. Jannah is a cool character but underused, and she largely appears in support of and alongside Finn. I don’t think that’s a particularly well-thought-through decision.

More frustratingly, Poe is bonded to Zorii Bliss. Poe didn’t need a new romance story. Poe didn’t even need a new background, for that matter! His subplot and backstory feel incredibly arbitrary, like J.J. and Terrio decided to insert answers to questions that were never asked because they felt Poe wasn’t interesting enough. The inclusion of his history as a spice runner feels like a desperate bid to make him even more like Han Solo–and on this second viewing, I was all too aware of the reactions from fans who were troubled by giving one of the few Latino actors in Star Wars a character with a background as a drug smuggler. On top of this, Poe already had a backstory that was deeply associated with the Resistance and with the inter-generational legacy of the Rebel Alliance in non-film media, so this felt out of left field.

But back to Poe and Zorii. I was really bothered by Poe’s recurring attempts to get a kiss from Zorii. Even though they never do kiss, it felt like an unnecessarily defensive, hetero-normative reaction to FinnPoe. No, folks, not only is he not interested in Finn, he’s actually had an ex-girlfriend he wants to get back together with this whole time. Frankly, Oscar Isaac seems so half-hearted in his efforts that I’ve convinced myself that Poe and Zorii are in fact both gay, and that this is an inside joke between them. They’re just two old friends who know he’d never kiss her even if he could. While this works as a head canon, it’s incredibly disappointing that the filmmakers went in this hetero-romantic direction at all, especially when the only explicitly queer moment in this film (in any Star Wars film, for that matter) involves two background characters briefly kissing in the celebratory crowd at the end.

4. Now that the Supreme Leader has been replaced and Hux finds himself following a man he despises, does he stay loyal to Kylo? Does he lead a coup?

Hahaha! He does not stay loyal to Kylo. He also doesn’t lead a coup. He becomes a spy for the Resistance out of spite, and he gets shot dead like a dog.

5. Who was Snoke? Where did he come from? How did he influence Ben into becoming Kylo? And where did the First Order come from, for that matter?

Snoke is a clone, apparently. A clone of what/whom? I don’t know. Sounds like the comic series The Rise of Kylo Ren is addressing Snoke’s influence on Kylo, but I don’t know when or if we’ll learn more about what Palpatine was really doing with Snoke. And it seems that we still have an incomplete idea of what the First Order was or where it came from, let alone the newly revealed Final Order. Although Palpatine’s weird Sith cult activities and hidden Imperial military might fit in rather nicely with elements of the Aftermath trilogy, there are still a lot of questions.

6. Does Kylo really hear from Anakin Skywalker? Does he suffer from some form of psychosis? Has Anakin become corrupted in the afterlife even after his redemption? Is there someone else impersonating Anakin? Why didn’t any Force ghost appear to Kylo to intervene?

Turns out it was all Palpatine. Why did no Force ghost intervene, though? That’s unclear to me. In many ways, TROS didn’t give a fuck about the mythology of this universe.

Example 1: All the Jedi apparently live on in Rey. They speak to her and give her power in her final battle. But George Lucas had previously established over six films and The Clone Wars that most people, including Jedi, merely become one with the Force on death. Only those who lived selflessly could freely preserve their identities in death, not for personal benefit but so that they could instruct and guide others. Prior to the sequel trilogy, the only ones who preserved their identities after death were Qui-Gon, Obi-Wan, Yoda, and Anakin, and while Anakin had a great sacrifice at the end, it’s always been something of a mystery as to how he achieved this feat. Qui-Gon didn’t even take his body into the Force. But now everyone’s back, for some reason.

Example 2: Before the sequel trilogy, Force ghosts seemed limited in their abilities. Obi-Wan could not help Luke in his fight against Vader, and he tells Luke as much. Obi-Wan often provides advice and information, but I don’t recall him actually acting on the physical world. The same with Yoda. The Clone Wars and Rebels provided interesting spirits and creatures that were specially in tune with the Force, but these were separate from the Force ghosts I’m talking about. The Last Jedi had Yoda striking the tree with lightning, but this was mystical and calling on a natural element; it’s not clear to me that that suggests he could have lifted an X-Wing or tossed a lightsaber. Luke has such a physical presence in TROS, and it becomes quite curious as to why Force ghosts wouldn’t more directly meddle in putting down evil.

Example 3: Anakin was supposed to restore balance to the Force, and while it was never certain what exactly that meant, it was generally agreed that he did do exactly that by the end of Return of the Jedi. And yet Palpatine wasn’t truly defeated, only deferred. I was more on board when we were dealing with a new awakening in the Force–Kylo rising in power within the Dark Side, and the Light answering with the rise of Rey. It feels like Anakin only inconvenienced the Dark Side for a few decades, in the end.

Example 4: The Sith had never before discovered the power to escape death. It was one of the ironies of Star Wars: if you’re selfish enough to do anything to survive death, you aren’t able to do so. We had Sith spirits in Legends, but even then they were typically bound to a particular physical element–perhaps a temple, a tomb, an amulet, or a weapon. They were not free. The Dark Side, at best, provided them an immortal prison. Now, it turns out that the Sith actually retain some form of immortality by inhabiting their successors. When a Sith disciple strikes down her master, she apparently inherits the spirits of all the previous Sith. This could be a cool thing–and it still bounds the Sith to one physical element–but it doesn’t sit easily with the existing mythology. Also, what is the trigger for this transfer? If Rey would be possessed whether she struck Palpatine down in a moment of anger or in ritual, why is there an exception if she gets Palpatine to destroy himself by deflecting his Force lightning back at him until he dies? How much was Palpatine lying about this? Perhaps he wanted her to kill him in the ritual tradition, and hate alone wouldn’t do it? But then again, wanting someone to strike him down in hate suggests that he would have actually been fine if Luke had killed him in Return of the Jedi, and that’s an interesting idea. Imagine that: Palpatine feels he’s in a win-win situation. No way the Rebellion can win, the Emperor thinks. That leaves three scenarios: (1) Luke is killed, and Vader has nothing left to cling to; (2) Luke kills Vader and turns to the Dark Side, thus becoming Palpatine’s student; or (3) Luke kills Palpatine and is possessed by all Sith, becoming a powerful, young new host body. Luke’s decision to stop fighting, and Vader’s decision to aid his son and defeat Palpatine, are unfathomably remote options for the Emperor. And it turns out he had contingency plans for if everything went wrong, anyway.

At the end of the day, while I find these new bits of lore difficult to reconcile, they are interesting. This is a movie that concludes a whole trilogy about legacy. Appropriately, some of the key new insights into the Force and Force practitioners relate to legacy. The Jedi are able to commune with those who precede them. The Sith literally embody previous Sith, spiritually consuming them. All Sith live within one body, the closest they can come to immortality, I guess. No wonder there can only be two Sith at any one time–and no wonder that the Sith are unique for Dark Siders.

Finally, while not playing light with the mythology, I have way too many questions left about how Palpatine came back. I have only read the first arc of Dark Empire, and that Legends comic seems more relevant than ever now. Certainly, Aftermath also hints at some of the Dark Side occult elements involved in resurrecting the dead. It’s not at all clear to me if this is somehow a reconstructed original body of Palpatine (and this seems unlikely, given how he died) or if it’s a greatly corrupted clone body. How will destroying this Palpatine prevent him from coming back? Are we really sure all Sith cultists were killed in that end battle? What about the Snoke clones in the canisters that were missing by the time Rey arrived? What connection does Snoke have to Palpatine? A lot of questions to presumably be answered some other day.

7. Who are the Knights of Ren?

Kylo Ren’s boy band. “Ghouls.” That’s all. Disney wants us to make sure to read all the ancillary materials, I guess. Star Wars has always seemed larger and deeper because of the references to things that aren’t developed within the movies, but this seems a big thing to leave so blank, especially when they serve as (nameless, faceless) tertiary antagonists in the film.

8. Were there any other survivors of the destruction of Luke’s training temple?

I guess we still don’t know.

9. How is the Resistance rebuilt? What allies join the cause, and why didn’t they respond to Leia’s message?

Again: I guess we still don’t know. Lando assembles a People Power fleet. Maybe people were motivated by the story of Luke’s sacrifice and the survival of the Resistance. Maybe Leia’s message did get through but people couldn’t react in time. The film starts about a year after The Last Jedi, but the Resistance is still more or less in shambles until Lando brings in the cavalry.

10. What happens to Leia? How does she fit into the movie? It seems likely that she was intended to have a significant role, but how much can she really appear in the film with the untimely death of Carrie Fisher?

She appears almost enough for the plot that was ultimately provided for her character. She proves pivotal to the final reformation of Ben Solo. On second viewing, it’s more apparent how little she appears and how much the movie is molded around what available footage they had of Carrie Fisher. Harrison Ford comes back as a vivid hallucination/memory to provide the final push, and I wonder if they would have used Leia in that scene if Carrie had been available. Another bizarre mystery of the Force: why does her body remain until Ben also dies? For that matter, the Leia material offers another example of J.J.’s apparent disregard for the new unified canon: it’s hard for me to reconcile Leia’s training under Luke so soon after Return of the Jedi with her portrayal as someone who had never undergone Jedi training in Bloodline. For the record, I was fine with her display of Force abilities in The Last Jedi because training isn’t essential to use the Force. But having her training basically completed, and then giving up her saber and the Jedi path, doesn’t quite fit with what is suggested in Bloodline. (For that matter, how does she know Rey is a Palpatine? When does she learn this? When did Luke learn this? And if she knew some of Ben’s tragic fate, why did she make the choices she did in allowing him to train as a Jedi?) That said, it’s not explicitly contradictory, either…


As a bonus round, I’d just point out that Lando appeared as sort of a retired trader / elder statesman, but the subject of L3-37 and her final fate is left unresolved. Bummer.


So, those were the questions I had going into The Rise of Skywalker, and those were the answers I took away from it. They weren’t always the answers I wanted to see, some of the answers seemed like very poor options out of the many available choices, and sometimes there wasn’t an answer at all, but it’s still clear that TROS continues on from The Last Jedi, continuing to develop themes and character arcs from that film even while making some course corrections to apparently better align with J.J.’s original vision. It’s very Star Wars of the saga to end with answers that often prompted even more questions!

“It is to be commended. What is its number?”

Despite some delays, we’re still holding out hope for a closing at the end of this week on our first home. While a delay of a few days or a week wouldn’t be a big deal, it would be especially nice to close and take possession this week because it’s also the week that my work site has a summer shutdown. Regardless of whether we can actually start moving this week, we’ll at least be getting ready for it, packing and removing some of the stuff we won’t be taking with us.

It’s also a good week for catching up on other things I’ve been putting off. One of those things has just been keeping up with the Clone Wars rewatch, so last night I was binging several episodes, and tonight will get me back on pace with the once-a-week recaps on the official Star Wars website. In the rush of episodes, one small detail stuck with me.

In the episode “R2 Come Home,” R2-D2 must rescue Mace Windu and Anakin Skywalker from a lethal trap by escaping pursuing bounty hunters and contacting the Jedi Order. In the beginning of the episode, R2 is briefly partnered with Mace’s droid, R8-B7, before the latter unit is destroyed. But wait. R8? It looks like an identical model to R2. Why the different designation?

It’s a silly thing to get hung up on, but droid designations have long been really confusing to me. In the films alone, it’s easy enough to decide that the designations might be partial serial numbers or something to that effect. But at least in the old Expanded Universe, droid designations came to represent both the model and unit. For instance, there was a whole R-series of astromech droids that included R2 models, R4 models, R8 models, and so on. (Higher the number, newer the model release.)

Again, there’s nothing in the films, at least that I can think of, that would dictate this interpretation. I think it’s an artifact of the Expanded Universe’s impulse to extrapolate general characteristics from very limited anecdotal film details–like that all Hutts are gangsters, all Rodians are bounty hunters, all Twi’lek women are dancers, and so on. (Thankfully the EU moved more and more away from that, and the new canon doesn’t seem too guilty of that outside of casting the Hutts once more as a Space Mafia race.) And I’m sure that a lot of those generalizations are a result of the need to gamify elements of Star Wars; so much of the broader lore originated with West End Games and was spread in supplements created by WEG and the publishers who filled the tabletop publishing niche in the following years.

The idea that a droid’s name always starts with its model number doesn’t even really make a lot of sense, unless one assumes that there are a lot of droids designated R2-D2, or that owners are picking random elements of a much longer serial number to supplement the droids’ names. It feels more right to imagine a generic droid series, the “R-series,” for instance, with many models and unique designations under that. (Still, I bet there are other so-called R2-D2s rolling around in that galaxy far, far away.)

I got hung up on R8 in particular because that would have been a model released much later in the old EU, but also because the designation seemed to have no practical effect on the droid’s appearance. As usual, I seem to be late to the party. Wookieepedia’s Legends page for R8-B7 has a behind-the-scenes section referencing an old Star Wars Insider issue (58) that apparently explained that droid names are fragments of longer designations. (Without a copy of that issue, I’m just going to have to trust the accuracy of the source. For my purposes, seeing the existence of the proposed theory is sufficient, even if the source is incorrect.) That was before the unified canon reboot, but that seems like a very plausible explanation.

I still want to put too much emphasis on those model numbers, though. I remember as a kid reading about them in Star Wars Gamer issue 3 (“DROIDS”!) and the “Droids” chapter of the Star Wars Roleplaying Game Revised Core Rulebook during the publishing reign of Wizards of the Coast. Something about that was formative enough to lock it in as a thing I “knew” about droids. It’s a hard thing for me to unlearn–even though nothing says that those model numbers aren’t still canon. It’s easy enough to reconcile model number designations with inconsistent droid names under the serial number theory. Searching keywords related to this subject, I stumbled on a Reddit thread that points out that the personal designation of a droid could be pulled from anywhere in its serial number. So even the apparent rule-breaker R8 could really be R2-B17998R8-B7743, or something like that. Still, if that’s true, why even grab random numbers at all? Why not just name your droid “Frank” or “Scruffy” or just call it “Astromech”?

It’s really not something that needs more explanation, because there’s not something truly broken here. It’s just silly, is all.

All the Books

I’ve finally allowed myself to learn to love audiobooks. They’re great for providing something for me to focus on when otherwise doing a fairly mindless or boring task. But since my multitasking ability sucks, I’ll only listen to things that I’m okay with missing something in. Listening is just not the best way for me to absorb a story (and I’ll never accept that it’s comparable to reading; they’re just apples to oranges–oral storytelling is great, but it is different than written storytelling, and this is real estate in the general vicinity of a hill I’m willing to die on).

Truly, the credit for my newfound acceptance goes to the Indianapolis Public Library’s collections and the accessibility of the Overdrive and Hoopla websites and apps. I’ve already made it through a couple books despite the recentness of this change of heart.

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The first audiobook I experimented with was William Shakespeare’s Star Wars: Verily, A New Hope, by Ian Doescher. I enjoyed the stageplay feel, with a few different voice actors narrating the book. The sound effects were great. I was tickled by the human pronunciations of R2-D2’s whistles, and his internal monologues were a weird diversion. Nonetheless, the novelty wore off quickly enough for me. It’s hard to suggest that this has much merit on its own, after all–it’s entirely about the gimmick of combining Star Wars and Shakespeare. The saturation in pop culture and melodramatic nature of the two draw comparisons, and Doescher obviously put a lot of effort into emulating Shakespeare’s style, but it’s basically what it says on the tin, good for a bit of amusement and nothing more. Still, the production value of the audiobook was so good that I could listen to another in this series.

Star Wars: The Old Republic: Revan was second on my list. My first observation: it has too many subtitles. The audiobook brought life to the story, and it really showcased how good Drew Karpyshyn is at describing action. The narrator’s decisions regarding voices were somewhat disappointing. Revan sounded like bored Batman, even though he was written in the book as a sort of funny guy who was quick to quip and often contemplative. The Sith Lord Scourge sounded like angry Batman. And the female characters–Meetra and Bastila, for instance–typically sounded like man-doing-a-high-pitched-voice (which is, after all, what was happening), so I think the emotional resonance of their characters suffered.

Despite enjoying the action sequences, I don’t like what this book did to Revan and the Jedi Exile. For one thing, it shouldn’t have defined who they were. The KOTOR games were stories set in the distant past, a fable even in the context of the old EU canon. There was no need to have a “canon” series of events–these games thrived on player choice and the consequences of those choices.

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But even accepting a “canon” version of events, it’s icky to have a story where the Jedi Exile acts like a subservient cheerleader of Revan and ultimately dies for him, becoming a Force ghost to keep him alive. Also, these are characters players have a lot of connection to–their tragic ends here are a let-down and seem to exist only to raise the stakes of The Old Republic and make that game seem EVEN BIGGER, LOUDER, AND BETTER THAN THE ORIGINAL (reminds me of the decision to kill off Newt and Hicks in Alien 3). Finally, the game seems to retcon things a little bit, once more in the service of making The Old Republic more important. For instance, and most significantly, the Sith Emperor’s Force-devouring evil is presented as this colossal threat that would even shift Sith to become Jedi allies–but isn’t that reflective of exactly who Darth Nihilus was and what he was up to in KOTOR II?

I liked the similarly over-subtitled Star Wars: The Old Republic: Fatal Alliance (by Sean Williams) when I read it years ago, but in retrospect, I cannot be sure if I was just more into the “edgy” take on Star Wars being offered by the writers of The Old Republic game and media push than I would be now.

The one Star Wars story of the bunch that I really enjoyed was something I read rather than listened to: an ebook version of Star Wars: The Prequel Trilogy: A Graphic Novel (yet another work with too many subtitles). The artwork is clean, colorful, and emotive. Best of all, it’s a masterclass in efficient editing. Each of the films is stripped down into a much tighter, action-packed core. Extraneous fight scenes (and the infamous podrace) are cut down considerably or even (as in the case of the starship fight over Geonosis between Obi-Wan and Jango) cut completely. Some quirky bits of dialogue and some genuinely good character moments get left on the cutting room floor, but almost everything felt improved by the omission. Some things I wish they’d been willing to cut even further. They opened late and ended early on a lot of moments, and yet midi-chlorians remain in, and Anakin’s admission that he killed even women and children in the Tusken Raider village stays as well. Still, given the source material that the graphic novel is operating from, this is probably the best format that I’ve seen the prequels in so far. The weird thing is that this collection seems to have been made with a crew big enough for a small film–it’s difficult to attribute to only a few individuals.

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I also read an ebook version of Dark Horse’s Age of Reptiles Omnibus: Volume I by Ricardo Delgado. The art was gorgeous and dynamic. So much was packed into each panel, and there was such a strong flow from panel to panel. Motion was clearly conveyed. There was a buzzing energy that propels you onward. This comic series appears to have a well-deserved reputation for its entirely visual storytelling. Motivation and emotion are clearly conveyed through dinosaur body language and action. There is no dialogue (obviously–they’re dinosaurs), and there are no descriptive sound effects. All storytelling happens through the art alone. My major criticism would be that the stories are a little too focused on nature red in tooth and claw, but we do see other aspects of the dinosaurs’ lives. The Journey was the most satisfying story (the image here comes from it), epic and yet also somewhat mundane, a slice-of-life story nonetheless replete with death and violence.

That’s it for the books. Next: all the video games.

Clone Wars Re-watch Go!

The official Star Wars site is leading a chronological re-watch of The Clone Wars, with new posts by the site’s Associate Editor, Kristin Baver, on Tuesdays and Thursdays. If that sort of thing sounds appealing to you, you can find the first episode recap/analysis here and a list of all the episodes here; the show and the film are available in their entirety on Netflix.

It’s still fairly early in the re-watch, and the pace of two episodes a week is not too demanding, so it’s still an easy time to get started. As of this writing, they’re just now through the film.

There are two improvements about this particular viewing schedule.

First, there’s a more consistent narrative, and it’s easier to see the war–and individual battles–evolving. The show seemed to take a while to settle into itself and didn’t get into long-form storytelling until later on, but part of that is attributable to the fact that episodes were aired out of chronology. With a streaming service like Netflix, the effort involved in hopping between episodes (and seasons, and the film itself) is minimal and the payoff, in having a richer narrative immediately with clearer character development, is big.

Second, this re-watch breaks the film into three acts. Watching the acts on their own, as complete episodes in and of themselves, makes the film just another arc in the series. Its lower stakes (compared to the saga films), meandering pacing, somewhat jarring cuts between acts, and shifting tonal dissonance is forgivable when it’s understood that each episode is doing its own thing. We don’t need to have a galaxy-shaking event every week for the television show; The Clone Wars was often at its best when showing clone troopers with their boots on the ground. And it feels natural to make these divisions–after all, the film was originally a few different episodes of the planned television series, spliced together into a single theatrical release at the request of George Lucas.

Also, treating the film as its constituent episodes rather than a single component separate from the series means that it flows rather well with the supporting stories that chronologically take place earlier. We see Anakin and Obi-Wan break the blockade of Christophsis, deal with loss and betrayal, encounter Ventress, and then meet Ahsoka just in time for a final battle before racing off to beat the Sith to recovering Jabba the Hutt’s child. I wouldn’t point to any part of the film as one of my favorites in the entire series–a lot of it was silly, the animation and character models and storytelling still having had a bit of growing to do. But the Anakin defying Jedi orders in “Cat and Mouse” and the Rex who was just shaken by a betrayal of one of his own in “Hidden Enemy” meeting Ahsoka for the first time and being changed by her even as they provide guidance is a pretty cool thing to see. Plus, the Battle of Teth sequence, with its electric-guitar-and-exotica soundtrack, misty purple forests, and vertical firefight, is a fantastic television experience, even if it’s a bit short and (relatively) quiet for a theatrical sci-fi war film’s centerpiece battle.

Another takeaway from the re-watch: I don’t recall registering just how brutally the war was depicted. Maybe it’s the structure of the re-watch, or maybe I’m just registering because I already know that I got attached to some of these clones. So many die, often in heroically pointless ways. So much of the Battle of Christophsis, for instance, is repeated Jedi over-extension, with the clones dying for Jedi heroics. It’s not remarked on so much yet, but it’s very visible. And while the droids are played for laughs, it’s hard not to read them as sentient, many with full and unique personalities. While Anakin and Ahsoka are quite willing to mow down hostile droids, they do show an endearing love and respect for allied droids, especially R2-D2; similarly, while they are both willing to accept battlefield losses (at least later on), both are fiercely loyal to and protective of Captain Rex.

Similarly, the failings of the Jedi Order are really apparent to me now in a way that they weren’t on my initial watch. While Anakin is unwilling to leave an infant Hutt to die, he thinks it’s a very bad idea to work with the Hutts. Of course he would! They enslaved him and his mother! And Jabba is a notorious criminal! The Jedi and the Republic are willing to throw away principle and get in bed with a slave-dealing criminal organization for a strategic advantage. The war has already skewed their thinking. And while Ahsoka might be old enough to be a Padawan, placing her in command of troops and in the midst of battle is a terrible idea! The use of child warriors is shockingly poor judgment. It’s hard not to see the Jedi as radical religious crusaders at that point. Ahsoka sees so much killing and dying, and while she handles it well, it’s just wrong for the Jedi to have put her in that situation.

One of the weirdest things for me on re-watch is knowing that The Clone Wars represented a sort of soft canon reset before the official Disney reboot. Dave Filoni always showed himself to be aware of the Expanded Universe, even when he changed it. There was more respect for the EU setting than George Lucas ever showed, at least. But still, it was jarring to see an over-complicated, cluttered Clone Wars added to even further with so many new central characters and events when there was supposed to have been so much already documented post-Attack of the Clones. Re-watching with knowledge that this series represents almost the entirety of the “official” version of the Clone Wars relieves a lot of confusion and some mild frustration that younger me had (I’ll admit that I’m also just a lot mellower and less worried about canon issues than I was as a teen).

There’s a new, minor thing that bothers me now though: there is a level of familiarity with the old Expanded Universe, and that causes a new bit of confusion when those stories don’t “exist” within the current canon. Anakin, Obi-Wan, and Ventress have a clear history together. They hint at it a lot in their sparring. At the very least, this would seem to incorporate the introduction of Ventress from Genndy Tartakovsky’s Clone Wars. This makes sense–prior to Filoni’s run, Tartakovsky’s show had been well-promoted, highly praised, and rather visible on Cartoon Network. In addition to introducing Ventress, the show introduced Grievous, and it also showed Anakin’s transition from Padawan to Knight! But we don’t have any canon versions of these happenings, and Tartakovsky’s series now has very little visibility to new audiences. I feel that, at some point, at least certain elements of Clone Wars should be retold in the new canon. We can iron out the continuity contradictions, dial back the hyper-stylized format, and develop certain plot points more, but introducing Grievous and Ventress, charting the early course of the war, and showing Anakin’s growth from Padawan to a Knight ready to train the next generation would be great material for new stories.

Finally, I am struck by how much the chronological re-watch clearly centers the show around Anakin, Ahsoka, and Rex. This is really Ahsoka’s story–she’s present almost from the very beginning, and what comes before in that story directly lays the groundwork for her entrance on the scene. Yes, I know the film came first, but it felt like a separate and detached experience. The show itself started with more of a scattered anthology approach. The impact is rather different when we get this focus on Ahsoka almost immediately, with just enough of Anakin and Rex to see where they are when they meet her. It’s a different experience than encountering the show for the first time with the one-off “Ambush” episode. (And I didn’t even watch the show episodically at first–I was very sporadic and really only got interested in the series after seeing the 1.15 episode “Trespass,” though I later went back and watched in order after picking up the DVDs.)

If it’s been a while since you’ve watched The Clone Wars, or if you’ve never watched chronologically before (or even never watched the show at all), now’s a great time to dive in.