Bultar Swan stars in “Impregnable,” the third story in the short comic anthology of Star Wars Clone Wars Adventures Volume 7. The script’s by Chris Avellone, with art by Ethen Beavers and colors by Dan Jackson. It’s a fine little action story. Swan, her forces demolished, strides into an allegedly impregnable fortress, slowly dismantling defenses and sealing the surviving commander inside. Locking an opponent in as the life support fails is more “Cask of Amontillado” than Jedi Code, though. I thought the story worked well enough for the format, but I was very disappointed by the use of Bultar Swan as the protagonist. This seems to go against what little character development had already been established for her. A ruthless killer willing to leave someone to die is basically antithetical to what interested me about her in the first place. (And while it goes unaddressed, her ability to simply walk into the fortress certainly suggests she might have sacrificed wave after wave of soldiers for little purpose.)
Plus, she’s silent the whole time, while the despotic villain in the fortress core taunts her throughout. It’s not an unheard-of form of storytelling, and it can work well, but her silence and martial prowess evoke uncomfortable comparisons to the silent, stoic Asian martial artist cliche. In this light, the otherwise forgivable caricature of her facial features that is typical of the style of art employed comes off as a way to accent her Asian-ness while removing much of the character’s resemblance to her film counterpart. There’s even one panel where her face is bathed in a greenish light (which does not affect the warm colors behind her), calling up comparisons to the racist and offensive imagery portraying villainous Asians in mid-twentieth-century America.
Outside of this rather disappointing Swan appearance, I overall enjoyed the anthology, which captured the visuals and action-packed fun of the television miniseries. The first story, “Creature Comforts” (script and art by The Fillbach Brothers, colors by Ronda Pattison) was a near pitch-perfect portrayal of war hero Obi-Wan and Anakin at their wittiest while being tossed from monster to monster. The one misstep is at the end, when Obi-Wan rather cruelly crushes a tiny crab “monster” to stop its cry. It’s meant to be funny but makes Obi-Wan seem like a sociopath rather than a kindly, wizened Jedi Master.
The other two tales try out a girl-power spy story (“Spy Girls,” script by Ryan Kaufman, art by Stewart McKenny, colors by Dan Jackson) and a bank heist gone wrong (“The Precious Shining,” script by Jeremy Barlow, art by the Fillbach Brothers, colors by Ronda Pattison). I might have enjoyed the last story the most, as it showed people caught between the Republic and the Separatists. It presented a level of moral nuance, and a more down-to-earth perspective, that was more likely to be found in the later Filoni-helmed series on the Clone Wars, though it ends in a simple twist of fortune.
The anthology was slender and quick to read. It was mostly fun. Too bad that this was my least favorite portrayal of Bultar Swan yet. At least she got to be an action hero for a little while.