TCW 7.1: “Bad Batch”

Maybe it’s that I just finished my rewatch of the first six seasons of The Clone Wars earlier this week, but watching “Bad Batch,” it felt like the show never left. For newcomers, this is a perfectly serviceable action episode in a beautiful sci-fi setting, leavened by many comedic moments. For fans of the show, it’s a great time to reunite with Commander Cody, Captain Rex, Jesse, and Kix toward the end of the Clone Wars, as they attempt to salvage a losing front of the war, even while Rex begins to suspect that Echo, who appeared to die in a blast during the breakout of Even Piell from the Citadel back in the third season, is still alive. And while the Bad Batch, clone super-commandos with mutations that give them unique gifts in combat, is new, their designation as Clone Force 99 is a nice throwback to the deformed clone trooper 99, who sacrificed his life supporting the active troops in the defense of Kamino. The clones we know acknowledge the appropriateness of the name, but for any new viewers, there’s nothing to make this seem like a lot of additional explanation is required.

I never watched the animatics, other than a brief clip or two here and there, for the “Bad Batch” arc, but I had read enough about them to understand Echo’s role in it. This didn’t ruin the excitement and hope cultivated by this episode. And without having actually seen an early, incomplete version of the episode, it all felt new to me. I don’t know how closely the finished version adhered to the earlier version, and it doesn’t really matter to me. All I can say is, damn, this episode looked good. It’s incredible how far this show has come–and I guess six years of time since the last season gives plenty of opportunity to bring the computer animation technology even further forward. The emotional range and nuance depicted in the clones, the variability of character models and appearances and animations, and the breathtaking environmental and lighting effects (resulting in some stunning battle sequences) make the rest of this season very promising. And it’s not just art and animation. The sound design is incredible–I specifically remarked on this to my wife as we watched. The sound of the blaster shots and their impact into droids was so sharp and clear.

I really had no problems with the episode. The Clone Wars is back, and it’s picking right up from its late-series peak!

TROS and the questions that were answered

I finally saw The Rise of Skywalker for the second, and presumably last, time in theaters with my wife. It was her first time. She wasn’t a big fan of it (for the record, her favorite of the sequel trilogy was The Last Jedi). I found that I still rather enjoyed it. I’d started to dread watching it again because I recognized so many weaknesses in the story, and I had read so many critical reactions that I found I agreed with. I felt there was no way that I’d be able to enjoy it as much as the first time, if at all. Thankfully, I was wrong on this count.

This very well could be the dumbest main Star Wars film, but it’s full of emotion, a resounding score, and amazing visuals. I wish the trilogy had ended on a stronger note, but it is what it is, and while the story has many flaws, there are a lot of interesting plot threads that can be expanded in future stories. There is a lot condensed into this movie, even as relatively long as it is, and there are plenty of additions to the characters and larger mythology that can be mined for years to come. No Star Wars film is perfect, and the original final chapter in the Star Wars saga, Return of the Jedi, sure had its share of problems. So yeah, TROS can be dumb, and I’ll still incorporate it into my larger appreciation for Star Wars over time (even as I simultaneously become more interested in considering Star Wars in three categories: George Lucas’s vision as told in the first six films and The Clone Wars; the parallel universe created through licensing under Lucas’s rule, which at times influenced his own design and story choices; and the new parallel universe that covers much of the same ground with new stories and claims to provide a “canon” continuation to the original saga under Disney).

I started a post that was attempting to address questions left from The Last Jedi that The Rise of Skywalker answered. Whether one likes the answers provided or not, TROS did at least feel like a response to its predecessor, even if it feels more connected to The Force Awakens. That attempted post was heavy with spoilers, though, and I felt like it would be good to have at least one more view before moving forward. After finally getting that second viewing, I feel ready to share this post, now that the movie’s been out for so long that anyone concerned with spoilers should have seen it already. If you haven’t seen the movie yet for some reason, please beware of the massive spoilers that will follow.

The questions I’m responding to are those I specifically discussed in a previous post before the release of Episode IX. Since I’d raised those questions in particular, it seemed worthwhile to see how TROS dealt with them.

1. What is the fate of Kylo Ren? Will he be redeemed? Killed? Imprisoned? Could you even safely imprison a powerful Force user? And what would redemption look like for such a monster if it doesn’t end in death?

Well, this is sort of the center of the plot of TROS. We learn that he is redeeemed and killed. I guess we don’t know what redemption without death could look like. Ben’s ending works well enough, and his final sacrifice to restore Rey to life is truly a selfless act that is at least on par with Anakin’s own final sacrifice for his son. I think it would have been more interesting to see a version of Ben who has to work to atone for his past actions in some way, but that’s a lot to ask for one already bloated last chapter.

I’ve resumed my rewatch of The Clone Wars with the approach of its new season, and I’ve realized my question about imprisoning a Force user has been answered quite thoroughly in the new canon. We had the Citadel specifically for imprisoning Jedi, and a battalion of clones successfully imprisoned Pong Krell. For that matter, Obi-Wan was successfully imprisoned in Attack of the Clones, and it was only a screwy staged execution and subsequent rescue mission that spared him. Ben seems to be on a unique level of power, but it seems theoretically possible to imprison any Force user.
2. What will Rey do with the legacy of the Jedi? Will she establish a new Jedi Order or something else? Will any of her compatriots be revealed to have Force powers as well?

One of my favorite things about TROS was that Finn was revealed to be Force-sensitive. I guess not everyone registered that on viewing, but it seemed quite evident to me, and I remember reacting excitedly to moments demonstrating his Force sensitivity. His conversation with Jannah did everything but explicitly say, “I feel the Force.” I also read that conversation as indicating Force-sensitivity in Jannah and some or all of her comrades. And on second viewing, I felt the movie may have been hinting at Force potential in Poe (especially given his apparently impossible abilities with hyperspace-skipping). This suggests to me that the broad awakening of Force abilities and inspiration of a new generation of Force users thanks to the actions of Luke and Rey that was suggested in The Last Jedi has been preserved and expanded upon. I think much like the Jedi Exile in KOTOR II, Rey seems to draw unaware Force users to her, awakening their powers as their bonds with each other are strengthened.

Rey has become a Jedi and embraced the legacy of the Jedi. We don’t know, though, if she will actually train others. Her legacy is still up in the air, maybe to be explored further in canon another day.
3. How will this trilogy’s romantic entanglements be resolved? There are quite a few implicit and explicit love triangles. Will Rey end up with Finn, or Kylo, or no one at all? How will Finn navigate his relationship with Rey and with Rose? And does Poe finally come out as gay?

Rey ends up with no one at all, but she seems the closest to romance with Ben, unfortunately. I think the kiss is ambiguous, but it’s certainly there. Of course, they kiss and then he dies, so on the one hand that frees her up again, but on the other hand that could be deeply traumatizing for her. It’s crucial to me that the kiss is between Rey and Ben, not Rey and Kylo–he’s happy and light and good, having cast off his Kylo Ren persona entirely and sacrificed a lot to get there. Still, Ben and Kylo are the same person. Ben never really died, just like Anakin never really died when he became Vader. They have their excuses and dramatic metaphors, but at the end of the day, they chose to do evil. And they continued to do evil at every opportunity. Sure, they found redemption in a loved one at the end, but that doesn’t erase everything they’d done.

Finn doesn’t navigate his relationships at all. (How could he explore a relationship with Rose when J.J. and Terrio barely allow her onscreen?) He’s given a new female companion he spends his time with, who just so happens to be a female black former stormtrooper. That seems a bit too neat, and while they don’t become romantically involved, it feels a little convenient that Finn is paired off with another woman and Poe is as well, as if to suggest that they have heterosexual options and thus need not end up with each other, while also clearing the deck for an uncomplicated Reylo climax. I’m uncomfortable with the racial, sexual, and gender politics in this decision. Jannah is a cool character but underused, and she largely appears in support of and alongside Finn. I don’t think that’s a particularly well-thought-through decision.

More frustratingly, Poe is bonded to Zorii Bliss. Poe didn’t need a new romance story. Poe didn’t even need a new background, for that matter! His subplot and backstory feel incredibly arbitrary, like J.J. and Terrio decided to insert answers to questions that were never asked because they felt Poe wasn’t interesting enough. The inclusion of his history as a spice runner feels like a desperate bid to make him even more like Han Solo–and on this second viewing, I was all too aware of the reactions from fans who were troubled by giving one of the few Latino actors in Star Wars a character with a background as a drug smuggler. On top of this, Poe already had a backstory that was deeply associated with the Resistance and with the inter-generational legacy of the Rebel Alliance in non-film media, so this felt out of left field.

But back to Poe and Zorii. I was really bothered by Poe’s recurring attempts to get a kiss from Zorii. Even though they never do kiss, it felt like an unnecessarily defensive, hetero-normative reaction to FinnPoe. No, folks, not only is he not interested in Finn, he’s actually had an ex-girlfriend he wants to get back together with this whole time. Frankly, Oscar Isaac seems so half-hearted in his efforts that I’ve convinced myself that Poe and Zorii are in fact both gay, and that this is an inside joke between them. They’re just two old friends who know he’d never kiss her even if he could. While this works as a head canon, it’s incredibly disappointing that the filmmakers went in this hetero-romantic direction at all, especially when the only explicitly queer moment in this film (in any Star Wars film, for that matter) involves two background characters briefly kissing in the celebratory crowd at the end.

4. Now that the Supreme Leader has been replaced and Hux finds himself following a man he despises, does he stay loyal to Kylo? Does he lead a coup?

Hahaha! He does not stay loyal to Kylo. He also doesn’t lead a coup. He becomes a spy for the Resistance out of spite, and he gets shot dead like a dog.

5. Who was Snoke? Where did he come from? How did he influence Ben into becoming Kylo? And where did the First Order come from, for that matter?

Snoke is a clone, apparently. A clone of what/whom? I don’t know. Sounds like the comic series The Rise of Kylo Ren is addressing Snoke’s influence on Kylo, but I don’t know when or if we’ll learn more about what Palpatine was really doing with Snoke. And it seems that we still have an incomplete idea of what the First Order was or where it came from, let alone the newly revealed Final Order. Although Palpatine’s weird Sith cult activities and hidden Imperial military might fit in rather nicely with elements of the Aftermath trilogy, there are still a lot of questions.

6. Does Kylo really hear from Anakin Skywalker? Does he suffer from some form of psychosis? Has Anakin become corrupted in the afterlife even after his redemption? Is there someone else impersonating Anakin? Why didn’t any Force ghost appear to Kylo to intervene?

Turns out it was all Palpatine. Why did no Force ghost intervene, though? That’s unclear to me. In many ways, TROS didn’t give a fuck about the mythology of this universe.

Example 1: All the Jedi apparently live on in Rey. They speak to her and give her power in her final battle. But George Lucas had previously established over six films and The Clone Wars that most people, including Jedi, merely become one with the Force on death. Only those who lived selflessly could freely preserve their identities in death, not for personal benefit but so that they could instruct and guide others. Prior to the sequel trilogy, the only ones who preserved their identities after death were Qui-Gon, Obi-Wan, Yoda, and Anakin, and while Anakin had a great sacrifice at the end, it’s always been something of a mystery as to how he achieved this feat. Qui-Gon didn’t even take his body into the Force. But now everyone’s back, for some reason.

Example 2: Before the sequel trilogy, Force ghosts seemed limited in their abilities. Obi-Wan could not help Luke in his fight against Vader, and he tells Luke as much. Obi-Wan often provides advice and information, but I don’t recall him actually acting on the physical world. The same with Yoda. The Clone Wars and Rebels provided interesting spirits and creatures that were specially in tune with the Force, but these were separate from the Force ghosts I’m talking about. The Last Jedi had Yoda striking the tree with lightning, but this was mystical and calling on a natural element; it’s not clear to me that that suggests he could have lifted an X-Wing or tossed a lightsaber. Luke has such a physical presence in TROS, and it becomes quite curious as to why Force ghosts wouldn’t more directly meddle in putting down evil.

Example 3: Anakin was supposed to restore balance to the Force, and while it was never certain what exactly that meant, it was generally agreed that he did do exactly that by the end of Return of the Jedi. And yet Palpatine wasn’t truly defeated, only deferred. I was more on board when we were dealing with a new awakening in the Force–Kylo rising in power within the Dark Side, and the Light answering with the rise of Rey. It feels like Anakin only inconvenienced the Dark Side for a few decades, in the end.

Example 4: The Sith had never before discovered the power to escape death. It was one of the ironies of Star Wars: if you’re selfish enough to do anything to survive death, you aren’t able to do so. We had Sith spirits in Legends, but even then they were typically bound to a particular physical element–perhaps a temple, a tomb, an amulet, or a weapon. They were not free. The Dark Side, at best, provided them an immortal prison. Now, it turns out that the Sith actually retain some form of immortality by inhabiting their successors. When a Sith disciple strikes down her master, she apparently inherits the spirits of all the previous Sith. This could be a cool thing–and it still bounds the Sith to one physical element–but it doesn’t sit easily with the existing mythology. Also, what is the trigger for this transfer? If Rey would be possessed whether she struck Palpatine down in a moment of anger or in ritual, why is there an exception if she gets Palpatine to destroy himself by deflecting his Force lightning back at him until he dies? How much was Palpatine lying about this? Perhaps he wanted her to kill him in the ritual tradition, and hate alone wouldn’t do it? But then again, wanting someone to strike him down in hate suggests that he would have actually been fine if Luke had killed him in Return of the Jedi, and that’s an interesting idea. Imagine that: Palpatine feels he’s in a win-win situation. No way the Rebellion can win, the Emperor thinks. That leaves three scenarios: (1) Luke is killed, and Vader has nothing left to cling to; (2) Luke kills Vader and turns to the Dark Side, thus becoming Palpatine’s student; or (3) Luke kills Palpatine and is possessed by all Sith, becoming a powerful, young new host body. Luke’s decision to stop fighting, and Vader’s decision to aid his son and defeat Palpatine, are unfathomably remote options for the Emperor. And it turns out he had contingency plans for if everything went wrong, anyway.

At the end of the day, while I find these new bits of lore difficult to reconcile, they are interesting. This is a movie that concludes a whole trilogy about legacy. Appropriately, some of the key new insights into the Force and Force practitioners relate to legacy. The Jedi are able to commune with those who precede them. The Sith literally embody previous Sith, spiritually consuming them. All Sith live within one body, the closest they can come to immortality, I guess. No wonder there can only be two Sith at any one time–and no wonder that the Sith are unique for Dark Siders.

Finally, while not playing light with the mythology, I have way too many questions left about how Palpatine came back. I have only read the first arc of Dark Empire, and that Legends comic seems more relevant than ever now. Certainly, Aftermath also hints at some of the Dark Side occult elements involved in resurrecting the dead. It’s not at all clear to me if this is somehow a reconstructed original body of Palpatine (and this seems unlikely, given how he died) or if it’s a greatly corrupted clone body. How will destroying this Palpatine prevent him from coming back? Are we really sure all Sith cultists were killed in that end battle? What about the Snoke clones in the canisters that were missing by the time Rey arrived? What connection does Snoke have to Palpatine? A lot of questions to presumably be answered some other day.

7. Who are the Knights of Ren?

Kylo Ren’s boy band. “Ghouls.” That’s all. Disney wants us to make sure to read all the ancillary materials, I guess. Star Wars has always seemed larger and deeper because of the references to things that aren’t developed within the movies, but this seems a big thing to leave so blank, especially when they serve as (nameless, faceless) tertiary antagonists in the film.

8. Were there any other survivors of the destruction of Luke’s training temple?

I guess we still don’t know.

9. How is the Resistance rebuilt? What allies join the cause, and why didn’t they respond to Leia’s message?

Again: I guess we still don’t know. Lando assembles a People Power fleet. Maybe people were motivated by the story of Luke’s sacrifice and the survival of the Resistance. Maybe Leia’s message did get through but people couldn’t react in time. The film starts about a year after The Last Jedi, but the Resistance is still more or less in shambles until Lando brings in the cavalry.

10. What happens to Leia? How does she fit into the movie? It seems likely that she was intended to have a significant role, but how much can she really appear in the film with the untimely death of Carrie Fisher?

She appears almost enough for the plot that was ultimately provided for her character. She proves pivotal to the final reformation of Ben Solo. On second viewing, it’s more apparent how little she appears and how much the movie is molded around what available footage they had of Carrie Fisher. Harrison Ford comes back as a vivid hallucination/memory to provide the final push, and I wonder if they would have used Leia in that scene if Carrie had been available. Another bizarre mystery of the Force: why does her body remain until Ben also dies? For that matter, the Leia material offers another example of J.J.’s apparent disregard for the new unified canon: it’s hard for me to reconcile Leia’s training under Luke so soon after Return of the Jedi with her portrayal as someone who had never undergone Jedi training in Bloodline. For the record, I was fine with her display of Force abilities in The Last Jedi because training isn’t essential to use the Force. But having her training basically completed, and then giving up her saber and the Jedi path, doesn’t quite fit with what is suggested in Bloodline. (For that matter, how does she know Rey is a Palpatine? When does she learn this? When did Luke learn this? And if she knew some of Ben’s tragic fate, why did she make the choices she did in allowing him to train as a Jedi?) That said, it’s not explicitly contradictory, either…


As a bonus round, I’d just point out that Lando appeared as sort of a retired trader / elder statesman, but the subject of L3-37 and her final fate is left unresolved. Bummer.


So, those were the questions I had going into The Rise of Skywalker, and those were the answers I took away from it. They weren’t always the answers I wanted to see, some of the answers seemed like very poor options out of the many available choices, and sometimes there wasn’t an answer at all, but it’s still clear that TROS continues on from The Last Jedi, continuing to develop themes and character arcs from that film even while making some course corrections to apparently better align with J.J.’s original vision. It’s very Star Wars of the saga to end with answers that often prompted even more questions!

That’s a wrap: The Mandalorian 1.8

Hoo boy, that was a good finale. Plot threads dangling throughout the season were resolved, there’s a clear sense of closure for this season, and there’s a clear and direct focus for next season. The Mandalorian and the Child are bonded like father and son, and they have allies who may come to stand by them again in the future (while unfortunately losing other allies in this explosive climax). And this final episode brought in a lot of elements from The Clone Wars and Rebels, in particular regarding the Mandalorians and one very special weapon.

I dearly hope that The Mandalorian honors its narrative promise to pursue the homeworld of Yoda’s species in this new season. But at the very least, the Mandalorian now believes he must care for a child of a culture (the Jedi) that has historically been an enemy of his adoptive people. That’s meaty enough to warrant another season or more by itself.

Big-shot gangster putting together a crew: The Mandalorian 1.6

In the immediate aftermath of the sixth episode of The Mandalorian, I’m excited. It was great fun watching the second half, with plenty of tense action and twists. We have some of the greatest fight scenes of the season, with the Mandalorian really showing off all his abilities. There’s a tense game of deadly hide-and-seek involving the child. We get glimpses of the state of the larger galaxy, both in the criminal underworld and in the Republic. We also get a few more hints about the Mandalorian’s past. And I was delighted by the presence of so many enjoyable actors: Richard Ayoade, whom I remember fondly as Moss from The IT Crowd, voices an arrogant mercenary droid; Clancy Brown, who voiced Savage Oppress (among other Star Wars characters), plays the hulking Devaronian muscle on the team; Mark Boone Junior, memorable as Bobby in Sons of Anarchy, plays the outlaw crew leader who throws together the operation; and the directors of other Mandalorian episodes cameo as X-Wing pilots. Then there are the actors I didn’t recognize, who you might, like Natalia Tena (whose roles include Nymphadora Tonks from the Harry Potter films) and Matt Lanter (whom I did not recognize in his small though crucial part as a scared security guard in this episode, and who voiced Anakin Skywalker in The Clone Wars).

But I remember how I felt during the first part, when Mando fills in the last spot of a five-person job to bust a target out of a New Republic prison ship. During those opening moments, our hero (or antihero) felt more like a silent video game protagonist than usual. As we were introduced to characters along with Mando, we learned that some knew him and some didn’t, some hated him and some liked him; the other characters traded verbal jabs, made jokes, and eluded to shady pasts. Meanwhile, Mando did a whole lot of staring silently through his helmet. We’ve seen this plot many times before too, in television episodes (not to mention series) and films and video games and books: a group of undesirables gets together for a job that should be simple, and then things go wrong. The episode doesn’t set the characters up much–they’re archetypes. The boss putting the job together has seen it all and is too old to go out on jobs himself anymore; the point guy is agitated and arrogant; the pilot is an aloof and brilliant droid that no one else fully trusts; the muscle is exactly that, big and mean; and then there’s the acrobat archetype, who is also the only female in the episode, written as a “sexy psychopath” like Harley Quinn. At first, they felt like unlikable versions of characters in The Fast and the FuriousGuardians of the Galaxy, or Suicide Squad–though one of the things I liked about the episode is that the second half shows that they are supposed to be unlikable, that they’re not good people.

More than anything else, the biggest flaw of this episode is that it doesn’t really progress the show in any way. The show in general is slow-paced in addressing its overarching narrative concerns, more focused on episodic adventures. This episode attempts to demonstrate that the Mandalorian is a changed man now (while also showing how much he hasn’t changed), but we’ve really already seen this in all of the previous episodes. Perhaps he hasn’t had to directly confront his past since turning his back on the guild, but it still felt superfluous, thematically covering content similar to that of the immediately preceding episode. Other than that, we know that others will still betray Mando to get the kid, that Mando has no safe harbor, and that the kid won’t be safe until the bounty hunters’ guild is dealt with. These are things we already knew. I had fun watching the episode, and I was stoked by the end of it, but I’m a little disappointed that it feels like the full eight episodes of the first season are going to be spent simply tying up loose ends with the bounty hunters guild. I’m happy to see Mando taking on odd jobs and dealing with political and interpersonal spaces directly altered by his decisions at the start of this season, but I’d like to get through some of the central conflicts left unresolved from the beginning. At the same time, with only 8 episodes averaging just over a half-hour in length, compared to a traditional action-drama with perhaps 13 (or even 22) episodes running 45 minutes to an hour, I recognize that I must seem impatient with what has in fact been fairly economical storytelling. At some point, though, the show has to do something else other than telling us the same thing over and over again.

Old Western Classic: The Mandalorian 1.5

In this episode, the Mandalorian finds his ship once more in disrepair after the opening scene, requiring a pit stop on one of the most familiar worlds of the Star Wars galaxy. He needs funds to cover the repairs, so he takes on a job acting as a mentor of sorts for a hotshot young guy eager to join the bounty hunters’ guild. This youngster (played by Toro Calican) is more hustler than professional, though, and their target is a hardened mercenary with a dreaded reputation (played by Ming-Na Wen). To round out the new characters, the backwater mechanic (played by Amy Sedaris) hired by the Mandalorian also picks up baby duty while he’s out trying to bring in the credits.

Much of the episode was a classic western bounty hunter story, culminating in a clash between young gun and old, and the setting of the episode encourages a Wild West vibe.

[Spoilers follow]

That said, not everything has to end up on Tatooine. I do get the impression that the Mandalorian has some background with the planet, between his familiarity with Jawas in an earlier episode and his easy ability to communicate and negotiate with the Tusken Raiders in this episode (nice to see the Tuskens treated as rational sentients instead of mindless, violent savages). It makes sense; a lot of seedy types with underworld connections would have had reason to spend time on the planet at some point. And I can hardly begrudge the use of the planet, and so many familiar vistas, when it really allows the episode to feel like a gritty episode of some forgotten Western.

I do hope that we get some story momentum soon, though. At this point, nothing’s happening too quickly, even though each episode remains individually entertaining.

A final question about the ending: who do you think the figure is who comes across Fennec Shand’s body? The usual suspects seem convinced that this is a hint at a Boba Fett reveal. I’d rather Fett not show up; there are already enough real Mandalorians in the show, thank you very much. Plus, dropping him in would almost necessitate considerable explanation, re-focusing at least one episode around the figure previously presumed dead. And to have him suddenly reappear, years after the rescue of Han Solo and defeat of Jabba the Hutt, would feel bizarre if without some sort of explanation. Anyway, if it is an existing Star Wars character, and I suspect it’s not, I would hope that it’s Cad Bane. The jingle of the spurs fits in with his cowboy aesthetic. And while Bane may have been intended to be killed off in a canceled arc from The Clone Wars, for now I think his fate is ambiguous. Either way, it seems easier for a Duros to bounce back from a blaster wound than anyone recovering from being eaten.

Two Samurai: The Mandalorian 1.4

In this episode, our intrepid bounty hunter attempts to find safe haven for his young ward, leading him to accept a job protecting a small farming village in exchange for lodging. It doesn’t work out as planned.

The Mandalorian seems like a man hungry for connection. He didn’t seem to quite fit in with his fellow Mandalorians, even though they aided him in the end. (It turns out that he’s adopted into the clan.) He was betrayed by his fellow bounty hunters–or I guess you could say he betrayed them by breaking the rules of the guild, but he saved a small child from torture and death, and they were motivated by greed in hunting him down, so it’s clear to me that they wronged him and not the other way around. But he was so quick to find a connection with the kid, and with Kuiil, and now with Cara Dune and the capable widow of the farming village (do we ever learn her name? I didn’t catch it). We learn that the Mandalorians gave him a community and a family when he had none, taking him in after the death of his parents, but the burden to remain separate and apart from others, to always keep his armor on and to never reveal his face, weighs heavily on him. Perhaps he was just too old to become a good Mandalorian, just like Anakin was too old to become a good Jedi, but it seems like he is increasingly wearied by those cultural obligations.

The structure of the episode’s main plot pulls heavily from the Samurai/Western roots of Star Wars, serving up a variant of the plot seen in Seven Samurai and The Magnificent Seven and, more recently, the “Bounty Hunters” episode of Star Wars: The Clone Wars. The structure is obvious, but the episode keeps its focus largely on the Mandalorian and his foster child; the adventure protecting the farmers is just one step in their journey, as the Mandalorian considers finding a safe place for at least one of them.

Another influence appears to be Ewoks: The Battle for Endor. The pirate raiders who live in the woods have a general aesthetic and purpose that appears to be half-Marauder, half-orc. The planet inhabited by the farmers and raiders, with its temperate forests and calm waterways, evokes Endor. Even the farmers’ residences are at least slightly reminiscent of concept art for the Ewok abodes in Return of the Jedi.

The raiders in the episode appear to be Klatooinian, but it’s hard for me to shake the impression of visual and thematic connectivity to that old Ewok movie.

We’re now halfway through this season, and I’m beginning to wonder if we ever will get bigger answers about just who and what Baby Yoda is. It’s seeming increasingly unimportant to the story being told here, where Baby Yoda is part MacGuffin and part softening agent for the protagonist. I could easily see the next four episodes telling a story of continued flight before the Mandalorian finally tries to take the fight to those who want this child so badly.

Changing hunters

In my review of Tales of the Bounty Hunters, I started by saying that I wanted to some day talk a little more about how these bounty hunters have changed in their depictions between Legends and the Disney canon. That day has come. I’ll admit that the timing is awfully convenient, what with a show about bounty hunters in the new Star Wars canon premiering this Tuesday. It’s truly just a coincidence, though, or if it isn’t, my subconscious was primed for thinking about bounty hunters given the marketing for this show. Either way, it’s not exactly new ground for this blog (examples one, two, three, and four for consideration).

One thing this post is not meant to be is a biographical sketch of the characters from Tales of the Bounty Hunters, or a careful examination of the differing details of their interpretations across Legends and canon sources. You want that, go to Wookieepedia. What I want to do is talk about how I reacted to some of these changes, and how my opinion might have changed in revisiting a work that was so nostalgic for me.

To begin, I found Dengar’s transition from Legends to canon to be most welcome. In the new canon, he’s consistently been portrayed as a sarcastic, playful personality. He seems to enjoy being around people, even if he’s still a little bit of a sociopath. We are still missing a lot of details in his arc, but we see him go from a member of Boba Fett’s bounty hunting team in The Clone Wars to an aging, sardonic loner desperately yearning for a reconnection with others in the Aftermath books. It seems like his adventures during the reign of the Empire are still mostly untold. I haven’t kept up with the comics in a long while, but it seems like they’ve slowly included some Dengar appearances in which he seems to be much more grizzled. It’d be interesting to learn why exactly he became more hardened and violent and if those wrappings ever became actual bandages.

Regardless, Dengar’s fun now. He’s charismatic on-screen (and on the page), even if most of the other characters find him annoying. I’ll take this depiction over “Payback,” the dour ex-Imperial serial killer bent on revenge from Legends. Plus, the broader story of Dengar now appears to have all the elements of a story of loss, pain, and recovery that formed the core of the older version of Dengar. We’re still missing what caused that pain for him in the middle of this arc, as far as I’m aware, but maybe we’ll see it someday. I prefer Dengar finding salvation in found family over a romantic entanglement, anyway.

Bossk also seems a lot more “fun” in the new canon. He’s loyal to Boba Fett in The Clone Wars, at least. I’m fine with this version of the character; he’s not a mentor, exactly, to Boba, but maybe he’s a sort of weird uncle. That we don’t really have a clear picture of how Boba and Bossk fell out is an unfortunate gap. Bossk’s fate is equally unclear; by the peak of the Galactic Civil War, we only have a snapshot with his cameo on board the Executor. I don’t really know how to feel about this version of Bossk. The original incarnation of the character was so scary, vile, and outright evil. Then again, it’s interesting that Bossk’s character traits went on to largely define Trandoshans as a whole, then in the new canon, with greater individualization within species, Bossk is given a friendlier identity while a faction of Trandoshans is still characterized as Wookiee-hunting psychopaths within The Clone Wars.

Meanwhile, IG-88 doesn’t really seem to have been changed at all. There are a lot of other IG-model droids, from the Clone Wars onward, and these other versions often get used instead of IG-88 himself. That’s been a deliberate choice; in an interview with IGN, Dave Filoni explained:

So a droid like IG-88, if you know the Expanded Universe and the Star Wars history, there are a lot of stories around him or what might’ve happened to that particular droid. So out of respect for people that have been with this franchise a long time, it’s like, “well if we do something with this space, would that be contradicting those stories?” So it’s better just to say, “Well, there’s other droids,” it’s not like it was a unique assassin droid.

I appreciate Filoni’s tendency to bring in things from Legends as reasonable and to leave Legends elements ambiguously canon where possible instead of always explicitly contradicting them with new material, but I also find it ironic that he says that it wasn’t a unique assassin droid, when “Therefore I Am” is very much so about how IG-88 was a unique prototype (something already undermined in Legends with ideas like the IG lancer droids). That all said, I wouldn’t mind a revamped version of IG-88 that more fully explores the contradiction between his lofty ideals for a droid revolution and his practices of overwriting programming and operating through brutal violence. Why does he want the droid revolution? What are his end goals? Something more than simply being disgusted with organics could be really interesting, especially in the wake of L3-37’s debut (and IG-88’s plan to become the Death Star II could provide an interesting mirror to L3’s becoming part of the Millennium Falcon).

Zuckuss and 4-LOM became such weird, splintered characters in Legends. Zuckuss had multiple personalities; 4-LOM had a memory (and personality) reset. These elements appear to have been attempts to explain too many stories about these characters from different writers with different visions who didn’t bother to make for a consistent presentation. That said, I like the earlier versions of these characters. Zuckuss is a thoughtful, meditative, tradition-bound member of a mystic hunting tradition. 4-LOM is a constantly adapting droid who believes that he can program himself to allow for intuition and to maybe even access the Force. It doesn’t seem like the duo have appeared much in the new canon yet, so it’s hard to say how their personalities will cement.

Boba Fett has had the biggest transformation, from weird zealot-murderer to vengeance-obsessed clone; in some ways, he’s become more like the old Dengar. I like the newer version of Boba Fett better. The biggest mark against Boba Fett is that he has an unsatisfying ending. His death was treated as a sort of joke in Return of the Jedi. In a way, Attack of the Clones makes his death more of an inescapable tragedy; his “father” tried to raise a better version of himself, and Jango’s untimely death set Boba down a path that would see him die in a similarly unceremonious way at yet another elaborate execution gone wrong. Legends tried to make Fett virtually indestructible, overcoming the Sarlacc so that he could go on to be a continuing threat to Han and his family. But I think Fett’s life from Kamino to Tatooine has a better, self-contained arc, even if his on-screen death will always be a silly footnote.

As a special addition, I have to mention Greedo. Greedo’s formative Legends tale was in “A Hunter’s Fate,” collected within Tales from the Mos Eisley Cantina. There, he’s a young hotshot who’s basically goaded, unprepared, into a fight with Han so that his bounty hunter “friends” can in turn collect a bounty on the inept Rodian. Whatever happened in that cantina–Han shooting first, second, or simultaneously–fits comfortably with this narrative. Greedo was unprepared and couldn’t outgun Han. Greedo’s new canon version is actually frustrating to me; he’s been in operation for at least a couple decades, with an active involvement in the underworld of the Clone Wars era, and yet he still bumbles a point-blank shot at Han. It’s a wonder that such an incompetent gunman could have survived in his line of work for as long as he did. If Lucas had simply left Han to shoot first, this wouldn’t bother me as much–Han would have been taking out a threat proactively, before the dangerous hunter could get a shot off. But if Han fires second, or even simultaneously, it becomes difficult to understand how Greedo, with weapon rested on the table before him the whole time, could have screwed up so badly.

Obviously, the above only reflects my opinions and interpretations of these characters. Bounty hunters are on my brain. I’d love to hear which versions of the characters you prefer and why, or even which versions of the characters you’re more familiar with. And as a separate prompt, are there any other characters who have had particularly successful/unsuccessful transitions from Legends to the new canon? Do you see new characters, like IG-11, that are filling the role of a Legends character in new stories? I hope to see some interesting replies!