I didn’t really like Infinity War. I had some not-too-kind things to say about it and the state of the MCU at the time. If my neighbor hadn’t asked if I wanted to join him for Endgame, seeing the sequel to a movie I so maligned wouldn’t have been a priority, and certainly wouldn’t have happened so relatively soon.
But I’ve seen Endgame, only a week late to the conversation, and I found that I mostly liked it. It was a satisfying cap to not just Infinity War but virtually every MCU film that came before it. It provided a swan song for the original Avengers team, and it was a promise for new generations of heroes and new iterations of heroic legacies. And it tried its best to patch up some of my biggest complaints with Infinity War. The single biggest improvement: this film finally allows for genuine dramatic stakes with permanent repercussions. We see a lot of Infinity War‘s bullshit cliffhanger ending undone, though not so cleanly as I had thought, and not only do the characters deal with a lot of trauma and change, but not all of them make it through–and there shouldn’t be any redoes this time. (It’s refreshing to see that the MCU is finally doing what the comics won’t, acknowledging the passage of time and actually allowing an ending for at least some characters.)
Best of all, Endgame offered the best performances to date for the core Avengers. Robert Downey Jr. is fantastic and really leans into the grief, trauma, and heroism of his role–though his characteristic snark seldom departs him. Scarlett Johansson and Jeremy Renner both pull everything they can out of the platonic bond of soulmates that their characters share; frankly, I’ve never cared much for Renner or his character, and yet Hawkeye’s arc in this film was one of my favorite things about it. Mark Ruffalo expresses a smug confidence that was so uncharacteristic and reflected how much Bruce Banner had changed between films. Chris Evans is sterling as ever as the always optimistic, pure-hearted Captain America. And Chris Hemsworth brings a lot of quirky neuroticism to the role of Thor, to mixed results, but my qualms are more with the script than the acting.
The movie was a whirlwind of an experience, and it was surreal to realize that three hours had passed as the credits rolled. I was engaged from start to finish. I can’t say that this would necessarily be a good movie on its own, but as heavily as it relied on the decade-plus of Marvel movies, and as many characters and events as it referenced, I never felt lost or confused. The payoff found in this movie was definitely earned. And while I was incredibly annoyed by the end of Infinity War, I loved how heavily the film leaned into allowing the characters to experience and process grief (well, almost all the characters–as I mentioned, Thor got a bad deal in his portrayal).
I do have some complaints, but to get into them, I have to discuss plot beats. I imagine anyone reading this has probably already seen the movie…still, SPOILERS FOLLOW.
First and foremost, I really didn’t like that the Soul Stone once again claims a female sacrifice. I actually thought that the tender moment between Hawkeye and Black Widow was lovely, and the fight to see who could self-sacrifice first was a fascinating way to work out the deep love and protectionism both characters share for each other. But first Gamora, and now Natasha. And both of these deaths are quite permanent.
Relatedly, while I liked that Gamora came back in some form, it felt like a cheap workaround of the permanence of death associated with a Soul Stone sacrifice. I’m not too bothered by it, though–a past version of Gamora on the loose in the present galaxy, with her sister and her lover holding feelings for her that she does not share in return, offers some interesting narrative possibilities down the line.
I also really didn’t like the depiction of Thor. I think this Tor essay by Sylas Barrett sums it up better than I ever could, but I didn’t like that his grief and trauma, and his associated weight gain, were used as recurrent gags. The other heroes all seemed to be annoyed by his mental illness, as though they felt that he should just man up and tough it out, as though everyone processes things the same way–as though Thor hadn’t lost all his family individually and then failed in stopping Thanos in such a way that he could feel directly responsible for it all. If nothing else, I’m frustrated that Marvel can’t seem to figure out what to do with Thor, and all the great character development and tonal shifts of Ragnarok continue to be undermined by what has followed. Still, I’m excited to see Thor join on with the Guardians of the Galaxy; his interactions with them in Infinity War were a highlight, and the quirky and colorful space opera of Ragnarok shares more than a little in common with the Guardians of the Galaxy movies.
To get really petty, I thought it sort of pathetic when, in the final battle, Marvel shows a shot of the female superheroes all rallying to help Captain Marvel get across the battlefield, only for their plan to fail in a couple minutes. It felt like Marvel desperately crying out, “Oh we have female characters, lots of them, we care about women for real!” And yet over Infinity War and Endgame, they killed present Gamora, past Nebula, and Black Widow, and they didn’t really give any of the female characters much to do. (Captain Marvel was great when she was present. Scarlet Witch had an excellent five minutes against Thanos. I’ve already mentioned how Black Widow shined in her scenes with Hawkeye. Nebula had a great heroic arc, even if she didn’t get as much focus as many of the other survivors. But for the most part, this was a movie focused on men.)
Finally, I found some of the patches for Infinity War to be rather weak. I know that Infinity War mentions that half of Asgard was killed, implying that half survived, and I’m glad to see that most of the characters I loved in Ragnarok made it through, but how exactly did that work? Weren’t all of the Asgardian refugees on board the ship attacked by Thanos? How come we saw no indication that they escaped when the ship exploded? Where did they go? If there were escape pods or something, how come Thor didn’t look for them? How come the Guardians didn’t detect them? And how did the refugees get to Earth? So it’s nice that many of them made it after all, but there’s no effort to explain exactly how that happened. That’s nothing compared to my frustration with Doctor Strange’s decision to turn over the Time Stone. Okay, so it leads to the only path that he sees where they win, and it allows for the Ancient One to trust the Hulk when he travels in time to collect it. But how, exactly, could that be the only way to victory? If Strange had let Tony die, and kept the Time Stone tucked away in whatever pocket dimension he held it, how exactly would Thanos have acquired it? Okay, so Tony gets five years of marriage and a daughter. But he still ends up dead in the apparently only win condition, and a lot of people suffered for those five years, and a lot of people will find themselves displaced after winking back into existence after five years. Just in general, the time travel mechanics and alternate realities rely on the audience trusting the filmmakers and putting doubt out of mind, not scrutinizing anything too hard, and I wasn’t willing or able to do that.
On the flip side, there were a lot of things I loved. I loved the arcs for Iron Man, Captain America, and Hawkeye. I loved Rocket’s reunion with Groot on the battlefield, as he dives on top of his newly recovered friend to shield his body from the falling missiles. That scene, along with Tony’s death and funeral scenes, brought tears to my eyes. I loved the arrival of all the heroes, old and new, on the battlefield. I loved the passing of the mantle from Steve to Sam, I loved Pepper in her own Iron Man suit, and I loved Black Widow’s time as the head of an Avengers team consisting of (if I recall correctly) War Machine, Okoye, Rocket, Nebula, and Captain Marvel. And I loved that most of the characters got at least a couple good moments in the film, even outside of the core cast of the original Avengers plus Rocket and Nebula plus Ant-Man.
This film was fun to watch and offered a final, and mostly satisfying, conclusion for many of the characters who have been around for the longest. It also offers the potential for a lot of exciting new stories to tell. I hope that we now see Marvel movies take more risks and break away from the Marvel formula (though of course, we already have examples like Guardians of the Galaxy, Ant-Man, Black Panther, Thor: Ragnarok, and even Captain Marvel that offered something different). Time will tell if Marvel follows through on that potential. For now, we’ve reached an Endgame.