My Favorite Stories of the Decade

Well, this is over a month late, but I wanted to reflect a little on the media I’ve consumed over the past decade. It’s hard to think about this clearly; my memory doesn’t work linearly enough to easily track the different stories I’ve come across over the past ten years. It’s wild to me that I’ve been out of high school for so long that it’s been almost 13 years now, but at the same time, it feels like it’s been even longer than that. A lot of my tastes and opinions have evolved considerably since my late teens and early twenties, which feel sort of like a single, solid lump of time, even though we’re talking about a period as long as almost two decades ago and as recent as 6 or 7 years ago. Many of the stories that defined my early adult sensibilities were first encountered during that period. I didn’t even start reading comics until late into high school or early into college! These shifting memories are even more complicated because on many occasions, I’m not encountering a film or book or game until years, or even decades, after its release.

I haven’t had this blog long enough yet to say that I really have traditions, but I do like to post a start-of-the-year recap of my favorite games I’ve played in the past year. Since we’re entering a new decade (even though this blog hasn’t been around for nearly as long), it seemed like a fun opportunity to look back over a longer period. But this site is, if nothing else, an ongoing catalog of What I’m Into Now, and that’s bigger than just video games. If I’m writing about any single thing on this site, if I could encapsulate what my mission is here, it’s to record how I react to stories across various media.

So, for a look back over a decade, I wanted to do more than just my favorite games. What were my favorite stories across video games, books, films, and television shows? But I have to then consider how I’m narrowing that list. For my video game retrospectives, I normally include all games I’ve played within the review period. I could simply include all stories I’ve experienced for the decade, but that’s just too broad, and too susceptible to inaccuracy. When did I really first watch this movie, or play that video game? What if I’d read something in my childhood but rediscovered it as an adult and fell in love? Is it fair or useful to compare an established classic with a new, unproven work?

What I settled on was a data set that only included works published within the past decade, from the start of 2010 through the end of 2019. Whereas my year-end reflections encompass five games, a list of ten favorite stories seemed appropriate for a decade–ten stories for ten years. That number becomes more interesting if I actually make it only one story per year. I’ve only been writing this blog for a few years now, and I’ve thus written more about (and paid more attention to) stories I’ve encountered in those last few years, and therefore my list would naturally lean heavily toward the last few years of the decade. To counteract this, I’ve decided to include only one favorite for each year, although I’ve allowed myself some latitude with television and have still included some runners-up for particular years.

With those rules in mind, here’s my current list of favorite stories from the 2010’s. Whether that list would be the same in another month or year or decade remains to be seen…Regardless, let’s get to it, starting with 2019 and working our way back to the beginning of the decade.

2019: Kitbull (Rosana Sullivan)

This is such a touching story. Beautiful animation, and it’s absolutely heartbreaking. Some people might view it as a little too saccharine, but I am here for it. I like short fiction, and this is a cute and compelling short film that demonstrates how a minimalist story can communicate something much bigger than its individual moments.

2018: Christopher Robin (Marc Forster)

Look, I loved Winnie the Pooh as a kid. The characters have always held a special place in my heart, and I’ve never really let go of that. Christopher Robin is to Winnie the Pooh as Hook is to Peter Pan. The cynical view would be that this movie is a nostalgia grab. But I still found that the movie spoke to me, aided by excellent performances and lovable interpretations of the stuffed animals. This is the kind of movie I could contentedly watch again and again.

Runner-Up: BlacKkKlansman was funny, challenging, and different. It offers wacky performances and outlandish storytelling with sadly too many truths and connections to reality. Probably the better film of the two I’ve indicated for 2018, it’s also one that I’d be less likely to return to.

2017: The Legend of Zelda: Breath of the Wild (Nintendo)

2017 was absolutely the hardest year for me to isolate a single favorite. At the end, I’ve picked one, along with three runners-up. My favorite (for now) was The Legend of Zelda: Breath of the Wild. It might be my favorite video game of all time. It actually made me interested in Zelda. It had just enough characterization and backstory to keep me invested, but the story was so pared-down that you were often making up a narrative as you played through the game. More than any other Zelda game I’ve even attempted to play, this was the game that really showed the joys of exploration. That included exploring the world, but also exploring alternative options to combat and to puzzles. I just want more of this! I can’t wait for more news about the Breath of the Wild sequel.

Runner-Up: Star Wars: The Last Jedi (Rian Johnson). I’m personally pleased that this list isn’t overrun with Star Wars stories. I picked The Last Jedi because it made some of the boldest choices since The Phantom Menace and The Empire Strikes Back before it. Each of these films took the franchise in a new direction and did new things with how these movies are made and what they mean, for better or worse. At the same time, no Star Wars is perfect. And for many, I just named the best and the worst of the franchise in comparison to The Last Jedi. Even setting aside the bigoted trolls, this film has resulted in a deep divide among fans and general moviegoers. For me, I love this movie and think it’s one of the better-made, more interesting Star Wars films, but it is a slower-paced movie with a clunky middle section, and as a result, I’ve always preferred The Force Awakens as a film to watch over and over again. After The Rise of Skywalker, I now feel that The Last Jedi was the pinnacle of the sequel trilogy. This isn’t some wildly experimental film, but it really highlights how safe J.J. Abrams played it with the other two movies.

Runner-Up: Star Wars: From A Certain Point of View. This was a collection of short stories that retold various moments of A New Hope from the perspective of supporting characters. It helped fill in moments in the new canon, even while remaining a sort of canon-lite bit of storytelling given its dependence upon, well, subjective viewpoints. This had a lot of strong writing, too. “The Kloo Horn Cantina Caper” by Kelly Sue DeConnick and Matt Fraction remains my single favorite bit of Star Wars writing ever.

Runner-Up: Kita Kita (written and directed by Sigrid Andrea Bernardo) is a weird, subversive, surprisingly sweet rom-com about two lonely Filipino expats living in Japan. The third act takes such a surprising twist that is initially absurd and ultimately sentimental, and it is that third act that makes the film. It’s a rom-com that stayed with me after watching, and I think it’s worth holding out as special for that reason alone.

2016: A Fox In Space (Matthew Gafford)

This fan production by Matthew Gafford attempts to retell the Star Fox story with a more “mature” perspective, plenty of humor, and an animation and sound design that echoes cartoons of decades past. So far, besides several in-production clips, only one episode has released. I don’t remember how I even found out about it. But I’m something of a Star Fox fan, and I’ve always thought that it would be fun to see an ongoing cartoon or comic that really mined the setting and characters while providing a more compelling narrative and a deeper lore. This fan pilot does that, whether or not we ever get a full second episode or beyond.

Runner-Up: Zootopia (written and directed by Byron Howard and Rich Moore) is another movie that I can just watch again and again. It’s sweet and funny. It’s a little overly broad in its allegories about race and class, but it still has something to say for a younger audience (especially in that even a good person can hold prejudices they have to work to identify and overcome, and experiencing discrimination in one area does not mean that you can’t also benefit from privilege in other ways).

2015: Bridge of Spies (Steven Spielberg)

I love Tom Hanks. I love Steven Spielberg. I love a good movie about an attorney working within or against the system to attempt to do good. I love spy stories, especially Cold War spy stories. How could I not love this movie? I hadn’t thought about it much recently, but my wife brought it up recently as one of her favorite movies of the past decade, and I found that I agreed.

2014: The Lego Movie (Phil Lord and Chris Miller)

Instead of a boring licensed-product kids’ movie, The Lego Movie was wild, raucous fun, loaded with a goofy, sardonic sense of humor and altogether too many references to the wide number of franchises that Lego has worked with. Lord and Miller are such a creative writing/directing team, and this movie has some tremendous voice acting performances. And The Lonely Island’s “Everything Is Awesome” is just such an ear worm, even while representing the bland consumerist society that we should work to shake ourselves free of. This is a movie layered in irony and contradiction; that a Warner Bros. production even attempts to interrogate some of the hypocrisies and fallacies of the very culture the studio and the Lego toyline are a part of is really something.

2013: A Natural History of Dragons (Marie Brennan)

I think I somehow got this eBook free through some sort of promotion. Or maybe it was just heavily discounted. I didn’t seek it out, and I didn’t know what I was getting into. It won me over quickly, though. I was often chuckling at the witty language from the first few pages, and the story moved along at an exciting pace. This book is fantasy filtered through a contemporary reaction to Jane Austen and H. Rider Haggard. This book was so clever and original. I’ve never moved on to the later books in the series, but I’d always be happy to recommend this first book.

Runner-Up: Pacific Rim. Guillermo del Toro always makes interesting, unique genre films. Pacific Rim was such a fun movie, a joyous homage to the very Japanese staples of kaiju and mechas. Still, it’s a light, airy romp; it’s not much deeper than face value. I think it’s a lot of fun, and it stuck with me. That’s enough!

2012: Mass Effect 3 (BioWare)

On my first completion of Mass Effect 3, I thought the ending I chose was tragic but fitting. I chose Synthesis. It felt right, after all that I had come to learn about the relationship between synthetics and organics over the past three games. It felt like a satisfying conclusion to the evolving storylines and character relationships that had begun with humans shooting Evil Synthetics back in the original game. I liked that I still had a choice, but with the way I’d played Shepard, with how I’d interacted with so many synthetics and even bonded with a few, with how we’d brought peace between Geth and Quarians, this final decision felt like the right choice.

I liked the fusion of gameplay elements from the first two titles. I liked the exploration, the resource-gathering, the sense of a desperate fight against an overwhelming opponent. I liked fleeing from Reapers across the galaxy as I tried to reach out to new worlds.

I was shocked to realize that so many people hated Mass Effect 3, and that so many people hated it because of how it ended. Of course I’d love a happily ever after for Commander Shepard, but he became a part of everyone in the end; he became an epic hero to always be remembered. And that ending felt like an ending made for me; everyone played a slightly different character, with a different gender and appearance and background and set of personality traits. Their choices and experiences were all slightly different. We had to end it somehow, and the few choices available felt thoughtful. I saw the conclusion as beautiful and meaningful, more than Shep somehow managing to kick All The Reaper Ass would have been.

Regardless of how contentious the ending proved to be, this story was deeply affecting to me and felt like a satisfying conclusion to the saga.

2011: The Elder Scrolls V: Skyrim (Bethesda Softworks)

It’s kind of wild to realize that it’s been almost a whole decade since we last had a new main title game in The Elder Scrolls franchise. This might be my wife’s favorite RPG. For me, I appreciated the return to the weird that made me love Morrowind so much, that felt lacking in Oblivion.

The two factions in the great civil war that centers much of the game are both despicable, more flawed than honorable, and it’s easy to simply stand apart from them. Underneath the senseless violence that straddled a war of religion and a war of secession, there was a larger existential threat brewing that most people in the state of Skyrim were oblivious to or refused to care about. In a way, that works as a nice allegory for contemporary society and the impending existential threat of climate change.

I’ll be honest: I’ve never finished the main story. My wife has, but I couldn’t maintain interest. I spent dozens of hours in the game nonetheless, wandering the world, uncovering secrets, fighting monsters, taking on jobs, making friends. Once more like Morrowind over Oblivion, the game was at its most fun when you were making your own stories, not worrying about the main plot, and it didn’t try to keep shoving that main plot in your face like Oblivion did with its Oblivion Gates. Then again, I’ve played through the main stories of Morrowind and its expansions at least a couple times because they were so engaging and weird and ambiguous! Morrowind rewards textual interpretation, and I didn’t feel the same experimentation with ambiguity and competing narratives in Skyrim. And while Skyrim was weird, it wasn’t quite as original as Morrowind. The fourth title clung to The Lord of the Rings, and the fifth to Conan the Barbarian, but the third pulled from everything and in so doing made something that felt wholly original.

My feelings about Skyrim are complex, but I still lost myself in that world for hours and hours on end.

2010: Adventure Time (Frederator Studios, 2010-2018)

Adventure Time almost spanned the whole decade, but it started in 2010, so it’s standing in as my favorite for that year. It was quirky, irreverent, fantastic, bizarre, and funny, and it managed to tell so much story in so little time. Aimed at kids, but with interesting concepts (especially in the later seasons) and a strong focus on the complex emotional bonds and fluid relationships shared between the characters, and a tendency to reward attention to detail, it was just as fun for adults. Plus, it’s loaded with references to anime, old cartoons and video games, and Dungeons & Dragons. It refused to be just any one thing, and even by the end of the series, it juggled beauty and horror and an epic scope with sweet character moments and silly gags. It was great.

Now that I’ve reached all the way back to 2010, please let me know what your favorite stories of the past decade have been!

Review: Detective Pikachu

Pokémon Detective Pikachu is fun, and it feels like a video game adaptation made by people who actually care about the franchise. That’s impressive–it’s at this point trite to note that film adaptations of video games are terrible as a rule. Even walking into the theater, excited by nostalgic appeal and the promise of what would at the very least be a colorful (if cheesy) adventure, I doubted whether I’d be fully on-board with the hyper-realistic depictions of Pokémon; this mood was not helped any by a pre-showing trailer for Sonic the Hedgehog, with the titular character living deep in the uncanny valley and dialogue that is somehow both campy and generic.

I was swiftly converted, however, by a beautiful early sequence depicting plausible Pokémon inhabiting the world. Even more important was the film’s tone, established quickly, which leans heavy into whimsy and comedy. This is evident from our introduction to Tim Goodman (Justice Smith, bringing a greater degree of bravery and emotional range to the character type he played in Jurassic World: Fallen Kingdom), who is tricked into accompanying his childhood friend (Karan Soni, with a quirky comic persona for his one scene) to catch a Cubone. Tim’s friend thinks that they’d be a good match because they’re both “lonely.” We learn that Pokémon can only be caught if they’re willing to be partnered with a trainer. Tim, reluctant to even make the effort, attempts to befriend the Cubone by telling it that not many people could pull off wearing the skull of a “dead relative.” The tiny Cubone does not react kindly to this, to say the least, leading to a failed catch attempt, a hilariously short retreat, and a colossal wipe-out.

cubone.png
Cubone fleeing before the tables are turned.

Justice Smith spends a good portion of the movie acting awkward or uncomfortable and running from CGI Pokémon threats, and I never got tired of it. After that introductory scene, he learns that his father Harry was apparently killed, and he takes a train ride to Rhyme City to close out his deceased parent’s affairs. Not long after reaching his apartment, he meets Detective Pikachu, who possesses the startling and unique ability to communicate with Tim, and who is amnesiac with only a deerstalker cap imprinted with the detective’s name and address linking him to Harry. Smith’s banter with Ryan Reynolds as the eponymous Pokémon sleuth is consistently fast and witty, and the relationship between Tim and his dad’s old partner Pikachu forms the heart of the movie. That’s a good thing–it’s shocking just how charismatic Reynolds can be as a voice applied to a computer-modeled electric yellow mouse. The effects were wonderful, as well, allowing for the feeling of genuine physical interaction between human and Pokémon, which proved critical for many of the action and character beats.

There’s also a low-level love interest between Tim and newsroom intern Lucy Stevens (Kathryn Newton), who team up to try to uncover the mystery that led to the disappearance of Tim’s dad and a rash of unexplained feral Pokémon attacks. (It just dawned on me in this moment that a good portion of this movie’s plot mirrors that of Zootopia). I’m not familiar with Newton, but I got the impression that she’s a good actor, and her film credits mostly support that. She’s very funny and expressive in this film, and she delivers hilarious lines of dialogue with not just a straight face but an inspired fervor. That said, her character’s not really given that much to do, other than tag along with Tim, exchanging barbs, providing sympathy, and occasionally almost-flirting.

I was impressed by the twists and turns of the detective story, and by the action sequences linking events together. I don’t think it would be too hard to predict at least some of those twists, and a lot of the revelations are dependent upon withholding information from the audience. To be fair, it’s information that the viewpoint characters don’t have, and I at least never felt cheated or bored with the mystery. I’ve never played the game, but reading the Wikipedia page tells me that the story and characters should be familiar to diehard fans, but with plenty of changes to keep them on their toes (and to condense story, tighten the connections between characters, and provide a greater sense of closure). Additionally, while I wasn’t particularly moved by Tim’s complicated family situation, especially given that the movie invested more time in action and comedy than quiet character moments, it provided a clear character arc for Justice Smith to work through (Lucy sadly did not get much of an arc), and the bond that formed between Tim and Detective Pikachu was touching and heartfelt.

It should not be surprising that this film is made for fans of the franchise and nostalgic millennials. But it’s a solid action-comedy movie nonetheless! It actually drops in some rules for the universe to explain how Pokémon and humans interact, making things a little more palatable for a hyper-realistic setting and providing some context for non-fans (there’s one scene early on that’s a bit too exposition-heavy, but it fits the moment). So no one should be unable to track what’s going on, even if they’re not too engaged by the parade of cute-yet-creepy, hyper-real corporate mascots. Despite the narrative friendliness to casual viewers, the film also leans hard into the weirdness of Pokémon, with its bizarre combinations of spirituality and science-fiction. While everything makes sense, I could definitely see those not already invested in the consumer cult of Pokémon finding themselves unwilling or unable to accept the radical events of the third act (thankfully, it’s still grounded in character, and I’m confident that even the most skeptical viewer can still depend on the anchoring bond between Tim Goodman and Detective Pikachu).

I also have to note that, while having no impact on the larger film, a small bit of exposition basically establishes some version of the events of the first generation of games (or the anime) as part of the canon of this Detective Pikachu film universe, which is an exciting bit of fan service. Less fan service, but definitely pandering to millennials, is a visual reference to Home Alone when Tim enters Harry’s apartment. I imagine there are other such references to millennial nostalgia that I’m forgetting or just missing.

Detective Pikachu is an entertaining, family-friendly action-mystery movie with a lot of humor. It’s also a great Pokémon movie and an excellent video game adaptation. (It might be the first video game adaptation to actually have a mostly positive rating on Rotten Tomatoes, for what that’s worth!) For those with kids, and for those who are (or were) fans of the Pokémon franchise, this is a good movie to kick off summer early.

At any rate, between this movie and the Let’s Go games, now’s a great time for lapsed or new Pokémon fans to enter the fold.